Titlebook: Race in Early Modern England; A Documentary Compan Ania Loomba,Jonathan Burton Book 2007 Palgrave Macmillan, a division of Nature America I

Boycott

苦恼

978-1-4039-6167-9Palgrave Macmillan, a division of Nature America Inc. 2007

故意

Pliny, The Elder (23–79 CE)hingy’s text does not, however, contain Pliny’s influential account of maternal impression, the idea that a child’s appearance might be affected by the mother’s imagination at the moment of conception.

prosthesis

Claudius Ptolemaeus (ca. 90 CE—Ca. 168 CE)ding to latitudinal position was enormously influential throughout the classical and medieval periods and was engaged with by many of the early modern texts in this volume (Mair, Lopes, D’Anghiera, Gainsh).

Predigest

The Biblees and was the first English-language Bible printed in America. The biblical passages excerpted here were central to arguments about cultural difference, skin color, crossbreeding, slavery, conversion, and polygenesis throughout the medieval and early modern periods, and are cited in dozens of works in this volume.

爵士乐

n sixteenth and seventeenth century England. A comprehensive introduction shows how these writings are crucial for understanding the pre-Enlightenment lineages of racial categories.978-1-4039-6167-9978-0-230-60733-0

needle

Aesop (6th Century Bce).” Aesop’s fable of the Moor or Aethiopian appears in various forms in Bibles (Jeremiah 13), sermons (Dove), and emblem books (Palmer, Whitney) throughout the early modern period, becoming an emblem for both wasted labor and the fixity of color and identity.

贪婪的人

Aristotle (384–322 BCE)e saw men as a single and unique genus, his argument in . that certain men were naturally subordinate to others would be instrumental to early modern debates on slavery and the conversion of non-European subjects (see John Mair, extracted in this volume).

宽容

Bernard of Clairvaux (1091–1153)y his former pupil, Eugene III; preached the Second Crusade; and was instrumentalin the condemnation of Abelard and Arnold of Brescia. Among his most influential writings, Bernard’s eighty-six sermons on the Canticles offer the possibility that Jesus himself was black, although that blackness is never explicitly ascribed to his skin.

FEIGN