Titlebook: Politics and Public Space in Contemporary Argentine Poetry; The Lyric and the St Ben Bollig Book 2016 The Editor(s) (if applicable) and The

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Introduction: The Lyric and the State,offer insights into both literary history and contemporary politics. He cites the work of Franco Moretti to support the claim that literary studies has the potential to contribute to a political reading of culture and society. Bollig also engages with influential work on Latin American poetry by Wil

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,Martín Gambarotta: Narrative Verse and the Anti-Lyric,parent faith in the independent publishing sphere. Despite the apparently separate careers of the writer, as both a poet and a political commentator, verse offers a space for the political analysis felt to be missing from other media in Argentina in the 1990s and 2000s. If his poetry seems to attack

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,“Vos y yo estamos acá.” Lyric/Non-Lyric and Public Space in the Poetry of Andi Nachon,including rock music and skateboarding, to fashion poems that are spaces less for individual expression and more for contact and mutual exchange. Her work, with its portrayals of wandering in the city, is set against the backdrop of contemporary urbanism in Argentina and contrasts against those prac

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Lyric Redivivus: Form and Politics in the Poetry of Ezequiel Zaidenwerg,regular meter and rhyme central to his poetics. At the same time, his use of found texts—from popular history, memoirs, mass media, and other poetry—in a type of citational practice destabilizes the lyric voice. Bollig argues that a new type of (postcolonial) epic is fashioned in these poems, in whi

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,A New Maternal Lyric: Marina Yuszczuk’s ,,gnancy, childbirth, and motherhood, while actively blocking the confessional instinct that can be found in much lyric poetry about these subjects. Through a reading of recent feminist writings on motherhood, and theoretical works on the lyric, he argues that Yuszczuk denies the contemporary demand f

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