书目名称 | Polish Migrants in European Film 1918–2017 |
编辑 | Kris Van Heuckelom |
视频video | |
概述 | Provides a profoundly transnational approach, drawing on case studies from more than 15 countries.Adds a longitudinal and diachronic perspective to the subject of migration in European cinema.Offers a |
丛书名称 | Palgrave European Film and Media Studies |
图书封面 |  |
描述 | .This study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polański’s .The Tenant., Jean-Luc Godard’s .Passion .and Krzysztof Kieślowski’s .Trois couleurs: Blanc. are the best-known examples. Engaging with contemporary debates on modernisation and Europeanisation, the author proposes the notion of “close Otherness” to delineate the liminal position of fictional characters with a Polish background. .Polish Migrants in European Film 1918-2017. takes the reader through a widerange of genres, from interwar musicals to Cold War defection films; from communist-era exile right up to the contemporary moment. It is suitable for scholars interested in European or Slavic studies, as well as anyone who is i |
出版日期 | Book 2019 |
关键词 | Migration; Poland; interwar; immigration; Cold War; expatriation; Europeanisation; international; Roman Pola |
版次 | 1 |
doi | https://doi.org/10.1007/978-3-030-04218-9 |
isbn_ebook | 978-3-030-04218-9Series ISSN 2634-615X Series E-ISSN 2634-6168 |
issn_series | 2634-615X |
copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |