Titlebook: Newspaper Fashion Editors in the 1950s and 60s; Women Writers of the Kimberly Wilmot Voss Book 2021 The Editor(s) (if applicable) and The A

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on journalism and soft news.This book documents the careers of newspaper fashion editors and details what the fashion sections included in the post-World War II years. The analysis covers social, political and economic aspects of fashion. It also addresses journalism ethics, fashion show reporting a

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Local Fashion Editors, Business Impact, and Regional Fashion Shows, country and the world to cover fashion shows and interview designers. The Penney-Missouri Awards offered a specific fashion prize. The prize included travel money to visit Europe and a several-day-long journalism workshop. These events allowed for both professional development and networking for women who rarely had the opportunity.

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Ethics, Advertising, and the White House Fashion Show,y news. “If you want to do fashion writing for a newspaper, stay at arm’s length from the center of the fashion industry to maintain objectivity,” she said. “Your goal is not to celebrate fashion but to eye it with respect.”

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,Fashion Journalism in the 1960s and 1970s, and the End of the Women’s Pages,. Instead, much of the news about women was eliminated. Some women’s page editors wanted to save their sections and raise the standard of the sections. Ultimately, these sections became lifestyle or feature sections. It also meant the loss of many fashion editors’ jobs.

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National Fashion Editors, Public Relations Pioneers, and Fashion Designers,t national attention. Yet, Sheppard was also known for her honest—and sometimes cleverly blunt—criticism of designers who Lambert would have represented. The relationship between fashion editor and publicist was a complicated one with the power dynamic regularly shifting.