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Titlebook: New Takes in Film-Philosophy; Havi Carel (Senior Lecturer in Philosophy),Greg Tu Book 2011 Palgrave Macmillan, a division of Macmillan Pub

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Theory as Style: Adapting , via Baudrillard and Cronenbergy and film: Jean Baudrillard’s . (1994) and David Cronenberg’s . (Canada, 1996) respectively.. The chapter focuses on the source text and its adaptations with a view to outlining the diverse modalities of theorising that are to be found across these different mediums and forms: the written word of l
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Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman’s and What might film studies bring to the practice of philosophy? Here, explored from a pedagogical perspective, my exemplar is existential phenomenological philosophy as it illuminates — and is illuminated by — Derek Jarman’s seemingly ‘monochromatic’ film, . (UK, 1993). Made when the filmmaker was
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A Bleak Burlesque: Michael Haneke’s , as a Study in Violencee is soaked in the sink and rendered unusable before proceeding, over the course of a night, to impose upon Ann, George and their young son, Georgie. The family endure a series of games where the stakes are either to escape or choose the manner of death. All three are killed: the child and father by
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