Titlebook: New Perspectives on the History of Facial Hair; Framing the Face Jennifer Evans,Alun Withey Book 2018 The Editor(s) (if applicable) and The

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Alienated

Alice Whiteave been vast differences in perspective, methodology, understanding, interpretations, and concerns among the various partners. This volume examines models of collaboration between personnel in social service agencies, women‘s centers, domestic violence programs, medical and mental health settings,

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ast differences in perspective, methodology, understanding, interpretations, and concerns among the various partners. This volume examines models of collaboration between personnel in social service agencies, women‘s centers, domestic violence programs, medical and mental health settings, and law en

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Introduction,ular have demonstrated the close links between facial hair and prevailing ideas about masculinity and the male body, as well as the symbolic relationship between beards and virility. Studies of the nineteenth-century ‘beard movement’ have also explored the adoption of the beard as a self-conscious r

CHART

Social Science, Gender Theory and the History of Haironclusions. First, the cultural meanings of beards and shaving have proved deep-seated and durable, even if not fixed or universal. Second, facial hair and shaving have been used to establish and communicate contrasting social and ideological identities both in a given era and across time. Third, th

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‘The Very Head and Front of My Offending’: Beards, Portraiture and Self-Presentation in Early Moderne and behaviour, but also suggests the applicability of distinctions derived from twentieth-century anthropology and sociology. The focus is on the early modern head, principally the hair and the beard. It is suggested that, contrary to most approaches, masculinity is not the best organising princip

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Beardless Young Men? Facial Hair and the Construction of Masculinity in Nineteenth-Century Spanish Stion of young masculinities through facial hair in nineteenth-century Spain, an unexplored history that reveals a fascinating variety of masculine fashion codes and socio-political meanings linked to beards and moustaches. Special attention is paid to the case of self-portraiture and artists’ portra

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