Titlebook: New Critical Essays on James Agee and Walker Evans; Perspectives on Let Caroline Blinder Book 2010 Palgrave Macmillan, a division of Natur

天然热喷泉

Ontological Aspects of ,: Death, Irony, Faulkner, because they are coupled with what seems at this initial point the book’s subtitle, “Three Tenant Families,” if we do not recognize their origin we nevertheless feel a friction: baldly, members of tenant families are not famous. For all readers, this is a friction that will chafe until, even after,

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The Tyranny of Words in the Economy of Abundance: Modernism, Language, and Politics in ,akdown as they were illustrative of political and social inertia. Indeed, the two were closely connected. In 1929 the modernist Eugene Jolas noted the connection between social collapse and linguistic inertia when he stated, “[t]he Art of expression is suffering from a paralysis that is one of the s

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Agee, Evans, and the Therapeutic Document: Narrative Neurosis in the Function of Art, the impossibility of guaranteeing the very self as a being-intime. In fact, its existential crux leaves us wondering what we can actually point to, to suggest we exist at all.. It makes me nervous just to think about it. This chapter emerges from the conundrums of writing the “self” into existence,

漫不经心

,“Two Prickes”: The Colon as Practice,already accumulated around this famous gesture. An opening, a beginning that inaugurates itself through closure, the day is shutting down—“the house had now descended”—and the two men, the “two prickes,. (.)

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