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Titlebook: Musical Women in England, 1870-1914; Encroaching on All M Paula Gillett Book 2000 Palgrave Macmillan, a division of Nature America Inc. 200

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发表于 2025-3-21 16:50:38 | 显示全部楼层 |阅读模式
书目名称Musical Women in England, 1870-1914
副标题Encroaching on All M
编辑Paula Gillett
视频video
图书封面Titlebook: Musical Women in England, 1870-1914; Encroaching on All M Paula Gillett Book 2000 Palgrave Macmillan, a division of Nature America Inc. 200
描述Musical Women in England, 1870-1914 delineates the roles women played in the flourishing music world of late-Victorian and early twentieth-century England, and shows how contemporary challenges to restrictive gender roles inspired women to move into new areas of musical expression, both in composition and performance. The most famous women musicians were the internationally renowned stars of opera; greatly admired despite their violations of the prescribed Victorian linkage of female music-making with domesticity, the divas were often compared to the sirens of antiquity, their irresistible voices a source of moral danger to their male admirers. Their ambiguous social reception notwithstanding, the extraordinary ability and striking self-confidence of these women - and of pioneering female soloists on the violin, long an instrument permitted only to men - inspired fiction writers to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study. Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small ensembles and in all-female and amateur orchestras, and sought
出版日期Book 2000
关键词England; gender; Privileg; women
版次1
doihttps://doi.org/10.1057/9780312299347
isbn_softcover978-1-349-38511-9
isbn_ebook978-0-312-29934-7
copyrightPalgrave Macmillan, a division of Nature America Inc. 2000
The information of publication is updating

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s to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study. Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small ensembles and in all-female and amateur orchestras, and sought978-1-349-38511-9978-0-312-29934-7
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https://doi.org/10.1057/9780312299347England; gender; Privileg; women
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