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Titlebook: Method Acting Reconsidered; Theory, Practice, Fu David Krasner Book 2000 Palgrave Macmillan, a division of Nature America Inc. 2000 Jacques

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发表于 2025-3-21 19:29:51 | 显示全部楼层 |阅读模式
书目名称Method Acting Reconsidered
副标题Theory, Practice, Fu
编辑David Krasner
视频video
图书封面Titlebook: Method Acting Reconsidered; Theory, Practice, Fu David Krasner Book 2000 Palgrave Macmillan, a division of Nature America Inc. 2000 Jacques
描述Method Acting is one of the most popular and controversial approaches to acting in the United States. It has not only shaped important schools of acting, but has been a fundamental constant of all American acting. This insightful volume explores Method Acting from a broad perspective, focusing on a point of equilibrium between the principles of the Method and its relationship to other theories of performance. David Krasner has gathered together some of the most well-known theater scholars and acting teachers to look at the Method. By concentrating on three areas of the Method - its theory, practice, and future application - the collection will serve to inform and teach us how to approach acting and acting theory in the 21st century.
出版日期Book 2000
关键词Jacques Derrida; realism; stage; theatre; Tradition
版次1
doihttps://doi.org/10.1007/978-1-349-62271-9
isbn_softcover978-0-312-22309-0
isbn_ebook978-1-349-62271-9
copyrightPalgrave Macmillan, a division of Nature America Inc. 2000
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Just Be Yourselfe the actors self as the . of performance” and that for them the self is “an autonomous foundation for acting.” He contributes a counterclaim that maintains that the actor’s self is not the foundation for acting, but instead “the actorly self” is “produced by the performance it supposedly grounds.”
发表于 2025-3-22 04:40:43 | 显示全部楼层
Redefining Actingpossible to reject the fundamental tenets of Meisner-based work, it is difficult to comprehend how principles this radical and transformational (once adopted) could be inconsistently applied to dramatic material. So, as the physics professor might say, if gravity works, it works all the time.
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The Heart as Centerhy are they coughing? Am I that horrible? There! Someone coughed, or rustled a program!” Unfortunately, this poisonous rumination occurs while the actor is delivering a soliloquy or monologue or living an intimate moment onstage. “You can’t imagine the orror of knowing you’re acting badly,” muses Nina in Act IV of Anton Chekhov’s ..
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I Hate Strasbergpurposes in part by clearing up prevailing misrepresentations. By exploring a balanced view of the Method as well as other theories of performance, we will bring actor training into clearer perspective. The chapters in this book, I believe, will make this possible.
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