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Titlebook: Maternal Horror Film; Melodrama and Mother Sarah Arnold Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 criti

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书目名称Maternal Horror Film
副标题Melodrama and Mother
编辑Sarah Arnold
视频video
图书封面Titlebook: Maternal Horror Film; Melodrama and Mother Sarah Arnold Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 criti
描述Maternal Horror Film: Melodrama and Motherhood examines the function of the mother figure in horror film. Using psychoanalytic film theory as well as comparisons with the melodrama film, Arnold investigates the polarized images of monstrous and sacrificing mother.
出版日期Book 2013
关键词critical theory; film; Psycho
版次1
doihttps://doi.org/10.1057/9781137014122
isbn_ebook978-1-137-01412-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
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ne Rolle im Erregungsprozeß peripherer Nerven spielen könnte, erst im Jahr 1938 gefunden wurde. Dies ist deswegen so merkwürdig, weil schon in den allerersten Arbeiten von . (1897) und . (1901) die Beziehung zwischen dem Mangel eines wesentlichen Faktors in der Nahrung (der Begriff des „Vitamins“ ex
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The Bad Mother, Bad Mother is the source of friction within the horror text. At times she is the monster or the villain as in the case of . (1980) or ., for example, where the mother’s behaviour is malevolent and violent. In other instances her prohibitive and overpowering nature produces violent tendencies in her
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A Comparative Analysis of Motherhood in Recent Japanese and US Horror Films,e horror film becomes a site in which a duality of fascination and fear are played out in relation to the maternal. Although I have focused exclusively on the North American horror film, this chapter will explore these same issues in Japanese cinema. Like the US horror film, Japanese horror cinema r
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