Titlebook: Living the French Revolution, 1789-1799; Peter McPhee Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 anxiet

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,The Experience of Terror, 1793–94,ently about to be overrun by a coalition of its neighbours. The prime objective of the Jacobin Committee of Public Safety elected by the Convention on 27 July was to implement the laws and controls deemed necessary to win the war and to strike ‘Terror’ into the hearts of counter-revolutionaries. Thi

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,Settling Scores: The Thermidorian Reaction, 1794–95, particularly the Vendée and the hinterland of ‘federalist’ cities such as Lyon and Marseille, these had been years of mass killing and suffering. In solidly pro-revolutionary areas, the years of military crisis had been ones of ceaseless demands for men and food for the armies at the same time as t

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,A New Régime and Its Discontents, 1795–99,opular participation in politics and embarked on territorial expansion, opening the way for military dictatorship. In the process, it is argued, vast numbers of working people in town and country retreated into sullen withdrawal from the Revolution or even into outright opposition. More recently, ho

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,Conclusion — A Revolution for the People?,he first of the histories of the Revolution had appeared. One of them estimated the total loss of life at 2,022,903, including 800,000 dead on the field of battle, 184,000 Europeans and slaves in the colonies and 900,000 in the Vendee. It claimed that 4,790 people had committed suicide ‘out of terro

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Peter McPheeschaffen ., sondern wie es von ihr hätte geschaffen werden können. Dies ist, wie uns scheint, die einzig legitime, weil auf die grosse Kunst tatsächlich anwendbare Fassung der Natürlichkeit oder Wahrheit in der Kunstdarstellung, des viel bemühten Begriffes der Nachahmung der Natur..

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Peter McPheeschaffen ., sondern wie es von ihr hätte geschaffen werden können. Dies ist, wie uns scheint, die einzig legitime, weil auf die grosse Kunst tatsächlich anwendbare Fassung der Natürlichkeit oder Wahrheit in der Kunstdarstellung, des viel bemühten Begriffes der Nachahmung der Natur..

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Peter McPhee sich in den folgenden Jahrhunderten. Allerdings besteht eine Kehrseite dieser Entwicklung, die ich anschließend an der nationalsozialistischen Kulturpolitik verdeutliche. Daran zeigt sich eine Dialektik der Affektmodellierung, die für die Moralwelle unserer Gegenwart soziologische Schlussfolgerunge