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Titlebook: Literature after Postmodernism; Reconstructive Fanta Irmtraud Huber Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limite

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发表于 2025-3-21 18:45:37 | 显示全部楼层 |阅读模式
书目名称Literature after Postmodernism
副标题Reconstructive Fanta
编辑Irmtraud Huber
视频video
图书封面Titlebook: Literature after Postmodernism; Reconstructive Fanta Irmtraud Huber Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limite
描述Literature after Postmodernism explores the use of literary fantastic storylines in contemporary novels which begin to think beyond postmodernism. They develop an aesthetic perspective that aims at creation and communication instead of subversion and can thus be considered no longer deconstructive but reconstructive.
出版日期Book 2014
关键词Postmodernism; reconstruction; deconstruction; English literature; Narrative; novel; postmodernism; British
版次1
doihttps://doi.org/10.1057/9781137429919
isbn_softcover978-1-349-49197-1
isbn_ebook978-1-137-42991-9
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2014
The information of publication is updating

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发表于 2025-3-21 23:18:57 | 显示全部楼层
发表于 2025-3-22 03:03:24 | 显示全部楼层
Post-post, Beyond and Back: Literature in the Wake of Postmodernismd responsible, being, after all, the one who is dreaming it all up. After nearly half a century of postmodernist literary experiments and philosophical revisions, such metaleptic breaches of ontological boundaries may seem all too familiar and could easily strike one as just another tired narrative trick.
发表于 2025-3-22 06:39:57 | 显示全部楼层
Pragmatic Fantasies: From Subversion to Reconstructionst to modernism, which rejected and reformed realist aesthetics without necessarily giving up its belief in truthful representation, postmodernist writers tended to reject the ideal of representing reality itself. Instead, many of them developed a wide-ranging fascination with non-realist modes of writing.
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Introduction: Epitaph on a Ghost, or the Impossible End of Postmodernismhose innocent-looking four numbers after the dash, declared an end to something that had claimed to be endless. Postmodernism, which proposed the end of history, has apparently become dated. Its style, its subversion, it seems, has petered out and lost its force sometime around the beginning of the
发表于 2025-3-22 19:52:39 | 显示全部楼层
Post-post, Beyond and Back: Literature in the Wake of Postmodernismil war. In what has become an all too familiar postmodernist metaleptical short-circuiting of narrative levels, Owen Brick, the protagonist of this inset narrative, is sent on a mission to murder the narrator himself in order to put an end to the war for which the latter is in every sense of the wor
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发表于 2025-3-23 01:30:33 | 显示全部楼层
Leaving the Postmodernist Labyrinth: Mark Z. Danielewski’s ,hover perfectly in between postmodernism and the reconstructive impulse that hopes to go beyond it. The novel is obviously and explicitly indebted to both postmodernist thought and aesthetics. Nevertheless, as I will argue, it suggests venues for thinking (and living) which continue to take postmode
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