Titlebook: Linguistics and the Study of Comics; Frank Bramlett Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 Comic.di

brachial-plexus

Linguistic Codes and Character Identity in ,ticular, the linguistic choices of the protagonist, Afro Samurai, and his sometime companion, Ninja Ninja, reveal a complex world in which a long list of discordant sociocultural and linguistic codes blend in the story of hero, demon, computer technology, hip-hop and R&B, and Japanese samurai warrior culture.

infarct

,Pocho Politics: Language, Identity, and Discourse in Lalo Alcaraz’s ,specific activities associated with that identity’ (2001:719–20). Comic strip and political cartoon artist Lalo Alcaraz, a self-proclaimed ‘pocho’ Spanglish-speaking Chicano, uses his comic strip . to enact his Chicano identity and political ideologies from within a post-Chicano (Wegner 2007) Discourse, the combination I name ‘pocho politics.’

stressors

,Creating Humor in Gary Larson’s , Cartoons Using Interpersonal and Textual Metafunctions,ss politically focused cartoons emerge as a common genre. Gag cartoons initiated in magazines such as . are designed primarily for entertainment with the picture and accompanying caption creating humor. The analysis of such cartoons therefore falls within the domain of humor research.

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宽容

the US gettheir point across? What is the impact of English on comics written in otherlanguages?.These questions and many more are answered in this volume, whichbrings together the two fields of comics research and linguistics to producegroundbreaking scholarship. With an international cast of contr

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