Titlebook: Linguistics and the Study of Comics; Frank Bramlett Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 Comic.di

玉米棒子

喷出

慢跑鞋

Metaphors and Topoi of H1N1 (Swine Flu) Political Cartoons: A Cross-cultural Analysis,Greenberg 2008; and Dwivedi 2009), this chapter takes a multidisciplinary approach to political cartoons about the H1N1 virus (swine flu) to elucidate how fears are addressed through language and media cross culturally. Seventy three cartoons were culled from India (n=31), the United States (n=24),

有法律效应

Comics, Linguistics, and Visual Language: The Past and Future of a Field,of mainstream American comics, once commented, ‘I’ve been writing all along and I’ve been doing it in pictures’ (Kirby 1999). Similarly, Japan’s ‘God of Comics’ Osamu Tezuka stated, ‘I don’t consider them pictures … In reality I’m not drawing. I’m writing a story with a unique type of symbol’ (Schod

难听的声音

Constructing Meaning: Verbalizing the Unspeakable in Turkish Political Cartoons,ted in the textual content of political cartoons. It is based on the presumption that the increasing and pervasive support of fundamentalist Islam, mediated by current government enforcement of dogmatic religious beliefs and social conduct, has affected and shaped language use in Turkish political c

等待

Plurilingualism in Francophone Comics,ium or Quebec, where they are named . or BDs. Designated in these countries as the Ninth Art, the BD has a status far surpassing that of equivalent English-language comic strips (Forsdick 2005). In some cases, they are the object of theoretical discussions, such as when the stories of Bécassine, the

傲慢物

Ganglion-Cyst

,Pocho Politics: Language, Identity, and Discourse in Lalo Alcaraz’s ,e or reconstruct our core selves in complex and specifically directed ways: ways that direct us to realize a fuller experience of U.S. ethnicity — specifically, Latino and Latina identity.’ For Gee (1999), Discourses (with a capital ‘D’) are more than just language; they are social practices influen

Forehead-Lift

颠簸下上

,‘Ah, laddie, did ye really think I’d let a foine broth of a boy such as yerself get splattered…?’ Reteenth century, particularly in publications such as . in Britain and . and . in the United States. These magazines drew on the tradition of the Stage Irish figure which had long been perpetuated by theaters in England and which lampooned the Irish as ‘ignorant but harmless drudges, given to drink