Titlebook: Law, Culture and Visual Studies; Anne Wagner,Richard K. Sherwin Book 2014 Springer Science+Business Media Dordrecht. 2014 Aesthetics.Comme

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Visual Common Sensence that our understandings are correct and that alternatives needn’t be taken as seriously, is congruent with the causes and effects of . generally. Third, the literature on . provides further support for the claim that seeing visual evidence would tend to generate overconfidence in the beliefs and

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The Photographic Image: Truth or Sign?ying images, which are shown to present verbal descriptions as incontrovertibly true and accurate. The value of absolute truth implicitly attached to photographic or filmic images, however, contrasts with both semiotic theory and practical considerations. Possible origins and traces left by the ster

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Visualization Between Fictitious Law and Factual Behaviour: A Pragmatic-Institutional Analysisrule and behaviour or whether reciprocal elements are involved. Are these processes individually determined or within groups? In the first part of this chapter, the Institutional Theory of Law as well as the Scandinavian Legal Realists and their concept of legal ­language as imaginary terminology to

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The Semiotics of Film in US Supreme Court Casesh its decisions the evolving forms and significances of film and film spectatorship as an interactive public for film in society. As such, this project contributes to the work on the legal construction of social life, exploring how court cases constitute social reality through their legal discourse.

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