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Titlebook: Laughter, Humor, and the (Un)making of Gender; Historical and Cultu Anna Foka,Jonas Liliequist Book 2015 Palgrave Macmillan, a division of

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书目名称Laughter, Humor, and the (Un)making of Gender
副标题Historical and Cultu
编辑Anna Foka,Jonas Liliequist
视频video
图书封面Titlebook: Laughter, Humor, and the (Un)making of Gender; Historical and Cultu Anna Foka,Jonas Liliequist Book 2015 Palgrave Macmillan, a division of
描述Humor is the tendency of particular cognitive experiences to provoke laughter and provide amusement. Throughout history, it has played a crucial role in defining gender roles and identities. This collection offers an in-depth thematic examination of this relationship between humor and gender, spanning a variety of historical and cultural backdrops.
出版日期Book 2015
关键词Gender; Comedy; Laughter; Humor; Performance; Femininity; Masculinity; Sexuality; Comic; gender; humour; misogy
版次1
doihttps://doi.org/10.1057/9781137463654
isbn_softcover978-1-349-50139-7
isbn_ebook978-1-137-46365-4
copyrightPalgrave Macmillan, a division of Nature America Inc. 2015
The information of publication is updating

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Is the Comic World a Paradise for Women? Medieval Models of Portable Utopiapean languages and that f lowered most famously in the rhymed French versions of the twelfth and thirteenth centuries. Other medieval humorous genres include comic plays and lyrics, mock epics, beast fables, nonsense texts, parodies, schoolboy doggerel, riddles, and jokes both respectable and bawdy,
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Taking Women’s Work Seriously: Medieval Humor and the Gendering of Labor. More than any other material object, the distaff, the primary tool of women’s work with cloth, symbolized the danger entailed when women wielded power over men. Comic dramas like the popular . demonstrated that a man who did women’s work had lost his masculinity; to restore order, he must reassert
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Gender Subversion and the Early Christian East: Reconstructing the Byzantine Comic Mimefor the Roman East.. Indeed, within the realm of performance arts, the same artistic forms found in Roman entertainment and spectacle also appear in later Greek antiquity: the landscape of popular culture in Byzantium is largely composed of chariot racing in the Hippodrome with comic mimes and serio
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Gossips’ Mirth: Gender, Humor, and Female Spectators in Ben Jonson’s The Staple of News (1626)vely male, the playing companies were also all-male, with female roles performed by boys or men. An antitheatrical polemicist even warned women to keep away from the theaters as spectators, since entering a public playhouse would ruin their reputations. All the evidence, and indeed the fact that thi
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Laughter, Sex, and Violence: Constructing Gender in Early Modern English Jestbooksean continent, and, more importantly for my essay, in England. As courtesy books suggested, the social skill of jesting was necessary even on the highest levels of society, and jestbooks provided material for those who were not quick-witted enough to fabricate jokes of their own.. Translated from ot
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Hegemony and Humor: Class and Hegemonic Masculinities in Three Premodern Chinese Humorous Textsorm. Some researchers argue for the resisting potential of humor. For example, Joseph Boskin argues that because of its easy transmission the impact of rebellious humor is tremendous.. He speculates that humor which challenged the social, racial, and political conditions in the United States exerted
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