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Titlebook: Kleist-Jahrbuch 1998; Günter Blamberger Book 1998Latest edition Springer-Verlag Berlin Heidelberg 1998 Anthropologie.Autorschaft.Blitz.Dis

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Helmut J. Schneiderte on incapacity benefits and conditionality.Offers new insiThis book uses previously unknown archive materials to explore the meaning of the term ‘incapable of work’ over a hundred years (1911–present). Nowadays, people claiming disability benefits must undergo medical tests to assess whether or no
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Manfred Schneiderte on incapacity benefits and conditionality.Offers new insiThis book uses previously unknown archive materials to explore the meaning of the term ‘incapable of work’ over a hundred years (1911–present). Nowadays, people claiming disability benefits must undergo medical tests to assess whether or no
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Hans-Christian v. Herrmannte on incapacity benefits and conditionality.Offers new insiThis book uses previously unknown archive materials to explore the meaning of the term ‘incapable of work’ over a hundred years (1911–present). Nowadays, people claiming disability benefits must undergo medical tests to assess whether or no
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Hermann F. Weiss rural migrant women aspire to. She had grown up in a poor rural family, one of four children. Her family was classified as “peasant,” with a rural hukou. She managed to graduate from middle school, at the age of 16, but was unable to pursue further education because of her family’s straitened circu
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Gerhard Schulzhe New Woman. The monster, an aberrant occurrence, performs Brecht’s “alienation effect,” making strange the world that she inhabits, thereby drawing veiled conclusions about the New Woman and gender at the end of the .fin-de-siècle.. The monster reveals that New Women loved one another complexly, n
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Bernhard J. Dotzlermonster contributes three conclusions to this discussion. (1) The figure of the monster reveals that there was a conflict in culture in Britain at the . between British subjects who held traditional values (conservatives) and those who exhibited progressive viewpoints (New Liberals, radicals, and so
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Kleists Mittelalter-Phantasma seine Bedeutung — ist umstritten: Wie ernst kann es Kleist mit seiner eigenartigen Versuchsanordnung gewesen sein? Ist das ›Mittelalterliche‹ dieser Erzählung, das Gottesgericht zumal, bloße Drapierung, ist es ironisches Zitat oder was bedeutetet es sonst?
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