Titlebook: Italian Americans in Film and Other Media; The Immigrant Experi Daniele Fioretti,Fulvio Orsitto Book 2024 Springer Nature Switzerland AG 20

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书目名称Italian Americans in Film and Other Media影响因子(影响力)




书目名称Italian Americans in Film and Other Media影响因子(影响力)学科排名




书目名称Italian Americans in Film and Other Media网络公开度




书目名称Italian Americans in Film and Other Media网络公开度学科排名




书目名称Italian Americans in Film and Other Media被引频次




书目名称Italian Americans in Film and Other Media被引频次学科排名




书目名称Italian Americans in Film and Other Media年度引用




书目名称Italian Americans in Film and Other Media年度引用学科排名




书目名称Italian Americans in Film and Other Media读者反馈




书目名称Italian Americans in Film and Other Media读者反馈学科排名

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Races to the Rescue in an Ethnic Urban Milieu: D.W. Griffith and the Biograph Italian Dramasas posing a threat to the nation’s dominant culture and middle-class society. Starting from Griffith’s own description of the multi-ethnic environment of Lower East Side’s Rivington Street—seen as a place of competing, differentiated forces—the author discusses the characterization of the racially c

insular

(1915) and the Representation of Italian Immigrants in Silent American Cinemainema’s depiction of Italian immigration. In contrast to the generally stereotypical view of Italians in early silent American cinema, . offers a more complex and humanized portrayal of the Italian immigrant. While some stereotypes are still present, the film realistically depicts class differences

Pamphlet

Italianness and Foundational Masculinity in Edward Dmytryk’s Rendition of Pietro Di Donato’s n community as traditionally identified with holding heteronormative family ties above any other, highlighting how the film is a love story marred by poverty in which the bond created among men who work together challenges the allegiance to one’s family and defines men’s identity. It is the betrayal

GRACE

A Sting from the Past: Assimilation and Healing Rituals in Helen de Michiel’s , (1995)ericans, in particular Italian American women. Diana, the protagonist of the movie, is a strong, independent woman who chose to distance herself from her Italian heritage and, in particular, from a traditional concept of womanhood that denies women individuality and freedom of expression. It is only

DUCE

The Celluloid Closet: Sex, Power, and , Repression of the Italian American Closet in , (1994), , (19with an exploration of queer Italian Americans in literature and critical theory, charting an evolution from Masculinity Studies to Homosexuality Studies. Then, the author discusses the theoretical framework for his work, considering both the concept of . versus . as well as the significance of priv

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OUTRE

A Realistic Tale of Improbable Friendship. Notes on Matthew Bonifacio’s , (2007)cumented Mexican worker Ignacio. The authors equate the fictional undocumented im/migrants portrayed in Matthew Bonifacio’s film to what Zygmunt Bauman calls ‘human waste’, which is the collateral damage of economic progress. The life on the border—be it a physical border or a metaphorical one (the

incontinence

Italian American Gangsters Taking on a New Line of Work in Luc Besson’s , (2013)e, and only agrees to live under the witness protection to ensure his family’s survival. Set in present-day Normandy, the film takes the gangster genre to a new terrain while also serving as a vehicle for its director’s obsession with Hollywood gangster films. This chapter examines the ‘new line of

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