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Titlebook: Irish Women Writers and the Modern Short Story; Elke D‘hoker Book 2016 The Editor(s) (if applicable) and The Author (s) 2016 Irish literat

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发表于 2025-3-21 16:50:11 | 显示全部楼层 |阅读模式
书目名称Irish Women Writers and the Modern Short Story
编辑Elke D‘hoker
视频video
概述The first book dedicated solely to the short fiction of Irish women writers.Examines work by a variety of canonical and contemporary writers.The author has written widely on both Irish literature and
图书封面Titlebook: Irish Women Writers and the Modern Short Story;  Elke D‘hoker Book 2016 The Editor(s) (if applicable) and The Author (s) 2016 Irish literat
描述This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O’Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overalldevelopment of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form. .
出版日期Book 2016
关键词Irish literature; Contemporary literature; Modern literature; Women‘s writing; Short fiction; British and
版次1
doihttps://doi.org/10.1007/978-3-319-30288-1
isbn_softcover978-3-319-80770-6
isbn_ebook978-3-319-30288-1
copyrightThe Editor(s) (if applicable) and The Author (s) 2016
The information of publication is updating

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Houses and Homes in the Short Stories of Elizabeth Bowen and Maeve Brennan,perience of migration has shaped the critical reception of their short fiction: it has often been read as expressing the alienation, loneliness and longing for the lost home characteristic of diaspora literature. Yet, the overall negative construction of houses and homes in their work at least partl
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Staging the Community in Irish Short Fiction: Choruses, Cycles and Crimes,critics have argued that community has no place in the short story at all, several Irish writers do stage a concern with community in their stories and represent communal structures in various ways. First, the chapter looks at the different ways in which community is staged in the stories of Egerton
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,The Rebellious Daughters of Edna O’Brien and Claire Keegan,c and contextual interpretations of the mother-daughter plot, the chapter proceeds to a close reading of mother-daughter stories by Edna O’Brien and Claire Keegan. In the case of O’Brien, it is argued that her recent stories show a departure from the classic Freudian plots enacted in her early stori
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