Titlebook: Irish Contemporary Landscapes in Literature and the Arts; Marie Mianowski (lectures in Irish Studies and lit Book 2012 Palgrave Macmillan,

Vulvodynia

‘The post-past city’: Apocalyptic Cityscapes and Cultural Stagnation in the Fiction of Sean O’Reillysomewhat disconcerting vision of the possibility of escaping the past in a post-conflict Ireland. The cities of Derry and Dublin feature prominently in his works of fiction, three of which are dominated by a male protagonist searching for some form of release from a past which threatens to engulf hi

熟练

Lived and Learned Landscapes: Literary Geographies and the Irish Topographical Traditionssay on the sense of place in Irish poetry, Gearóid Denvir remarks that, ‘from W. B. Yeats to Seamus Heaney and Nuala Ní Dhomhnaill, and from Patrick Kavanagh and Máirtín Ó Cadhain to John B. Keane, there is no doubt but that the land itself, both in a physical and a political sense, and also in a p

和蔼

Landscapes in Movement: Cosmopolitanism and the Poetics of Space in Colum McCann’s Fiction. xiv). Relying upon such theoretical sources as Heidegger’s writings on space in ., Gaston Bachelard in ., Michel Foucault, Edward Soja’s ., or Raymond Williams’s ., Smyth sets out to demonstrate the dominating importance of space and place in Irish cultural practices. In order to illustrate his po

ROOF

Monumental Landscapes: Riding the Boundaries of an Independent Ireland with the Early Sinn Féin Moveablished (Ó Lúing, 1953 and Davis, 1974). Arthur Griffith, chief propagandist and only occasionally disputed leader of Sinn Féin, placed enormous faith in Sir Robert Kane’s 1844 survey of the industrial resources of the country with its promise of coal and copper and its favourable assessment of Ire

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Irish Nationalism and the Natural Insular Landscape of Ireland before Partition: Insularity Versus tained by the fact that the cases of France and mostly England were used as universal and paradigmatic models, which resulted in simplistic accounts of the role of landscapes in the formation of other national identities (Agnew, 2002). Agnew himself, and a few others like Lowenthal (Lowenthal, 1979),

对待

The Irish Border as a Cultural Landscapetinctions made between ‘self’ and ‘other’, ‘us’ and ‘them’, ‘here’ and ‘there’, ‘inside’ and ‘outside’, and ‘include’ and ‘exclude’. Who decides on these divisions and distinctions rests on the power relations involved (Newman, 2006a, pp. 143–7; 2006b, p. 176). The power of the British state in Irel

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The Altered Edge: the Impact of the Construction Boom on the Landscape of the Urban Peripherycape as representing the culture and amenity of our state was replaced by an ever more one-dimensional economic assessment where land as a ‘commodity’ was emphasized presenting increased opportunities for profit to amateur and professional developers alike. Numbers, quantity, amount became the overa

任意

environmental issues associated with it, questioning the myths behind Ireland‘s landscape, from the first Greek descriptions to present day post Celtic-Tiger architecture.978-1-349-33991-4978-0-230-36029-7

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