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Titlebook: Iris Murdoch; The Retrospective Fi Bran Nicol Book 2004 Bran Nicol 2004 fiction.Modernism.novel.postmodernism.realism

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发表于 2025-3-21 16:13:32 | 显示全部楼层 |阅读模式
书目名称Iris Murdoch
副标题The Retrospective Fi
编辑Bran Nicol
视频video
图书封面Titlebook: Iris Murdoch; The Retrospective Fi Bran Nicol Book 2004 Bran Nicol 2004 fiction.Modernism.novel.postmodernism.realism
描述Iris Murdoch: The Retrospective Fiction considers one of the major British novelists of the post-war years in a new light, arguing that Murdoch‘s compulsive plots and characters are strongly motivated by the question of the past. Drawing on many of her key works, and providing the first analysis of her ‘first-person retrospective‘ novels as a separate group within the larger body of her fiction, the book also considers Murdoch‘s relation to key currents within twentieth-century thought, like modernism. postmodernism, and psychoanalysis.
出版日期Book 2004
关键词fiction; Modernism; novel; postmodernism; realism
版次1
doihttps://doi.org/10.1057/9780230374751
isbn_softcover978-1-349-40099-7
isbn_ebook978-0-230-37475-1
copyrightBran Nicol 2004
The information of publication is updating

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The Insistence of the Past, as a result of the uncertainties brought about by recent history, contemporary fiction was poised somewhere ‘between nostalgia and nightmare’, alternatively or simultaneously imagining a brutal apocalyptic future and ‘a vanished era’, most often that of the ‘Edwardian summer’.. The desire to escape
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,Author and Hero: Murdoch’s First-Person Retrospective Novels,own strategies in her criticism, and among a number of contenders for Bradley’s own greatest fear is the fear of contingency she detects in Sartre. But another is surely identified by Rachel towards the end of . when she tells Bradley that all along he has been ‘somehow in the dark, not understandin
发表于 2025-3-22 17:17:56 | 显示全部楼层
Reading Past Truth: , and ,oup would include works from the earlier part of her career like . and ., where an entire community of characters seems to be living out a collective fantasy, and the solipsism of the cast is paralleled by the melodrama of the plot and the claustrophia of the setting. The obsessional novels often dr
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The Writing Cure: , and ,almost universally agreed to be Murdoch’s weakest novel, the other stands as the Booker Prize-winning peak of her ‘great decade’, the seventies. . more closely resembles the obsessional ‘closed-up’ books . and .. It is an uncanny Gothic tale narrated in an anachronistic voice which more often seems
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The Ambivalence of Coming Home: , and ,of critical appraisal: one is almost universally agreed to be Murdoch‘s weakest novel, the other stands as the Booker Prize-winning peak of her ‘great decade’, the seventies. The Italian Girl more closely resembles the obsessional ‘closed-up‘ books A Severed Head and A Word Child. It is an uncanny G
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