Titlebook: Interactive Experience in the Digital Age; Evaluating New Art P Linda Candy,Sam Ferguson Book 2014 The Editor(s) (if applicable) and The Au

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Curating Digital Public Art, Government Model: government funded commissions; and third, the Independent model, exhibiting through working with an independent curator. The different strengths of each model are discussed in the authors’ reflections on current methodologies in place.

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2195-9056 es case studies and examples of testing the research methodsThe use of interactive technology in the arts has changed the audience from viewer to participant and in doing so is transforming the nature of experience. From visual and sound art to performance and gaming, the boundaries of what is possi

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Human Computer Interaction, Art and Experience,shows how frameworks, that support interactive art making and evaluation are being developed using practice-based research methodologies. These advances, made in the context of art, can be beneficially applied to both the interactive Digital Arts and HCI.

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f terrigenous elements.Demonstrates the ramifications of wea.This book introduces the concept of ‘biological weathering.‘ Weathering, especially chemical weathering, has been recognized as one of the most important processes on Earth because it influences the circulation of elements, including carbo

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Ernest A. Edmonds, aquatic ecosystems, and human health. To address this issue, various treatment technologies have been employed to remove CECs from wastewater. Among these technologies, constructed wetlands have gained popularity as an effective and sustainable approach for remediation. Constructed wetlands (CWs),

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Linda Candyund Finden von Erklärungen als abduzierendes Schließen. Dies geschieht in der Annahme, dass das fachspezifische Wissenschaftsverständnis von Lehrenden und Lernenden entwickelt werden kann, indem sie Metawissen über die Entstehung und Vielfalt biologischer Erklärungstypen erwerben. Dabei sollen Frage

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