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Titlebook: Interactive Dramaturgies; New Approaches in Mu Heide Hagebölling Book 2004 Springer-Verlag Berlin Heidelberg 2004 Internet.Textur.computer.

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Dialogue with Machinesevel of the stone ages. The issue here is whether computers based on closed logic are principally able to develop a genuine ability for dialogue. The author describes a new “polylogic“ approach which holds potential for innovative cognitive computing and dialogic applications in communication and the arts.
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Introduction Aspects of Interactive Dramaturgiesture their form and contents and the strategies they employ for conveying it are all subject to their own rules and regularities. Nonetheless, they do adhere to dramaturgic principles that, on the one hand, can be derived from the most diverse of narrative traditions and rituals, but, on the other hand, have to be invented and defined anew.
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The New Horsemen of the Apocalypse acts bred in violent fantasy are growing. The world remains a theatre soaked in blood. Long-term uncertainties and sudden eruptions of violence encircle our times. And yet we must not lose hope. As Hölderlin said: “Wherever danger grows, salvation also grows“. Drama — in both senses of the term — is in the nature of our human society.
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978-3-642-62231-1Springer-Verlag Berlin Heidelberg 2004
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Interactive Dramaturgies978-3-642-18663-9Series ISSN 1612-1449
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The CrossingCan the time-tested visions of developing nations and ancient living cultures shape the form of future information technology?
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Heide HageböllingOutstanding case studies of interactive productions.Concepts, visualization, sound concepts and production of interactive media in the fields of education, culture, art, game, and entertainment.With n
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