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Titlebook: Intellectual Women and Victorian Patriarchy; Harriet Martineau, E Deirdre David Book 1987 Deirdre David 1987 Analyse.England.fiction.George

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https://doi.org/10.1007/978-1-349-18792-8Analyse; England; fiction; George Eliot; history of literature; Ideologie; law; liberty; poem; prose; reform; r
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Overview: Examines the works of three Victorian writers, looks at the ways they subverted and affirmed their society, and discusses women‘s higher education in nineteenth century England.978-0-333-44726-0978-1-349-18792-8
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Defiled Text and Political PoetryA poem that begins with the admonition from Ecclesiastes, ‘Of writing many books there is no end’, . is pervaded by metaphors of writing, the most notable being that employed by Aurora in likening man’s soul to a multiply inscribed text. Refuting enlightenment beliefs in the soul as ‘clear white paper’, she imagines it as:
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A Clerisy of Poets and the Softer Sexstocked library, critically acclaimed for the scope of her ‘intellectual compass’, and, until she went off to Marylebone Church at the age of 40 to marry Robert Browning, lovingly supported in her secluded scholarly life by her family, Elizabeth Barrett Browning betrays no unease about her status as
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The Social Wound and the Poetics of Healingellectually independent heroine. She was accused of writing in a ‘high fever’, of taking the literary field like Britomartis, an assertive, mythological maiden who escaped the sexual advances of Minos by leaping from a rock. Like Britomartis, Barrett Browning takes a Spasmodic leap from her rock, no
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Afterword: ‘The Authority to Speak’ugh, male world of academic scholarship. What happened, of course, in this sequence of rapid reactions to being addressed as Mr David Deirdre was that I began to understand in practice what I was just beginning to read about in theory: the complex position of a woman intellectual working in a male-d
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