Titlebook: Immigrant Generations, Media Representations, and Audiences; Omotayo O. Banjo Book 2021 The Editor(s) (if applicable) and The Author(s), u

压迫

Delude

Language, Telenovelas, and Citizenship: A Mexican Immigrant’s Exploration of First-Generation Americappeals to and offers portrayals of immigrants, including first-, second-, and third-generation Americans, through multi-dimensional characters and storylines. In this chapter, I draw on Andrea Pitts’ (.) discussion of Gloria Anzaldúa’s . to illustrate how media portrayals of Latinas in . have shape

Explicate

Mixing and Re-making: The Identity of Second-Generation Bangladeshis in the United Statestheir parents’ desire to hold on to their original home culture, and gender, class, and generational divides within the familiy and the community. Second-generation youths of Bangladeshi descent strongly associate with a generic south Asian identity, ., which originates from cultural traditions and

expansive

OGLE

Rebuilding the American Dreamtives as model minorities through examining the complexities of assimilation, imprisonment, and the challenges Japanese Americans faced, using the Nakano family’s intricate history as an example. . is a film about a Japanese American family imprisoned in the Topaz Relocation Camp in Utah and the rol

Minikin

Omotayo O. BanjoOne of the first volumes to concentrate on both foreign-born Americans and U.S. born children of immigrants in relation to representation in film and media.Examines how second-generation Americans eng

Mhc-Molecule

序曲

https://doi.org/10.1007/978-3-030-75311-5identity; media; representation; audience reception; cultural identification; autoethnography; ethnographi

interrogate

978-3-030-75313-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

Flatus

Ambivalence and Contradiction in Digital Distribution: How Corporate Branding and Marketing Dilute tdly destabilized problematic legacy industry practices and illustrates how paratextual representations and corporate discourses are increasingly contradictory in a complex, conglomerated media environment.