Titlebook: Ideology and Social Science; Destutt de Tracy and Brian William Head Book 1985 Martinus Nijhoff Publishers, Dordrecht 1985 Liberal.Liberali

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书目名称Ideology and Social Science影响因子(影响力)




书目名称Ideology and Social Science影响因子(影响力)学科排名




书目名称Ideology and Social Science网络公开度




书目名称Ideology and Social Science网络公开度学科排名




书目名称Ideology and Social Science被引频次




书目名称Ideology and Social Science被引频次学科排名




书目名称Ideology and Social Science年度引用




书目名称Ideology and Social Science年度引用学科排名




书目名称Ideology and Social Science读者反馈




书目名称Ideology and Social Science读者反馈学科排名

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Ideology and Social Science978-94-009-5159-4Series ISSN 0066-6610 Series E-ISSN 2215-0307

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Conclusion: Social Science and Liberalism,In these concluding remarks, I offer not a summary of the preceding chapters, but some brief reflections on the significance of the theory of idéologie in Tracy’s social and political theory, with particular reference to his conception of scientific certainty and to the nature of his liberalism.

Compatriot

https://doi.org/10.1007/978-94-009-5159-4Liberal; Liberalism; morality; policy; politics

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y painted women curious for knowledge as transgressive, objectified as muses, or sexualised for their investigative behaviour. In examining the ‘collector’, women were able to turn this dynamic on its head and understand and legitimise their own activities.

极小

Brian William Headthe Scottish literati followed Hume in rejecting climate theory as an explanation for the variety of national characters, they had different ways of reshaping Hume’s argument. My strategy is to draw out contrasts and discontinuities as much as parallels and similarities in their discourses.

后退

Brian William Headthough clearly aware of the rhetorical tradition he was working within (and in some measure .), did not offer a typically preceptive art of rhetoric in . (LRBL).. Although the lectures contain some prescriptive guidance, LRBL lacks any extensive treatment of (and in some cases explicitly spurns) the

Obedient

Brian William Headthe resources of one’s person to present, not another being in a Stanislavskian sense, but a thing ., action in this sense. The player’s ‘action’, his ability to use non-verbal signals as part of a rhetorical mode, makes generalised ideas of the human (‘morall precepts’, notions of right or wrong .)