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Titlebook: Hölderlin’s Dionysiac Poetry; The Terrifying-Excit Lucas Murrey Book 2015 Springer International Publishing Switzerland 2015 Bacchae.Dionys

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书目名称Hölderlin’s Dionysiac Poetry
副标题The Terrifying-Excit
编辑Lucas Murrey
视频video
概述Casts a new light on the work of modern German poet Friedrich Hölderlin (1770 – 1843), especially his often neglected translations of Greek tragedy.Shows how Hölderlin’s poetry retrieves the socio-pol
图书封面Titlebook: Hölderlin’s Dionysiac Poetry; The Terrifying-Excit Lucas Murrey Book 2015 Springer International Publishing Switzerland 2015 Bacchae.Dionys
描述.This book casts new light on the work of the German poet Friedrich Hölderlin (1770 – 1843), and his translations of Greek tragedy. It shows Hölderlin’s poetry is unique within Western literature (and art) as it retrieves the socio-politics of a Dionysiac space-time and language to challenge the estrangement of humans from nature and one other..In this book, author Lucas Murrey presents a new picture of ancient Greece, noting that money emerged and rapidly developed there in the sixth century B.C. This act of monetization brought with it a concept of tragedy: money-tyrants struggling against the forces of earth and community who succumb to individual isolation, blindness and death. As Murrey points out, Hölderlin (unconsciously) retrieves the battle between money, nature and community and creatively applies its lessons to our time..But Hölderlin’s poetry not only adapts tragedy to question the unlimited “machine process” of “a clever race” of money-tyrants. It also draws attention to Greece’s warnings about the mortal danger of the eyes in myth, cult and theatre. This monograph thus introduces an urgently needed vision not only of Hölderlin hymns, but also the relevance of discipli
出版日期Book 2015
关键词Bacchae; Dionysiac Language; Dionysiac and Visualised Chronotopes; Friedrich Hölderlin; Greek tragedy; Hö
版次1
doihttps://doi.org/10.1007/978-3-319-10205-4
isbn_softcover978-3-319-36453-7
isbn_ebook978-3-319-10205-4
copyrightSpringer International Publishing Switzerland 2015
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https://doi.org/10.1007/978-3-319-10205-4Bacchae; Dionysiac Language; Dionysiac and Visualised Chronotopes; Friedrich Hölderlin; Greek tragedy; Hö
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https://doi.org/10.1007/978-1-4020-8292-4it also transcends this familiar image of Hölderlin by turning to his interest in ancient Greece, as seen through the poet’s translations of tragic plays such as Euripides’ . and Sophocles’ . and .. These translations represent a literary retrieval whose profound socio-political meanings Hölderlin s
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https://doi.org/10.1007/978-3-642-73356-7e this idea, the monetised chronotope is placed within its historical context, namely alongside the emergence and transformation of a visualised chronotope that first appears with Homer’s invention of alphabetic writing around 800 B.C.E. This abstract, visual essence, when it combines with that of m
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Yeasts in Natural Ecosystems: Diversityin Greece and after). Abstract disciplines that emerge from money and its accompanying visual essence such as philosophy initiate in an important, if still unacknowledged primal manufacturing of consent: the first intellectual betrayal of western civilisation. Loss of the Dionysian spirit and its li
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