Titlebook: Humor in the Caribbean Literary Canon; Sam Vásquez Book 2012 Sam Vásquez 2012 Africa.African.Caribbean.gender.humour.identity.oral discour

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Book 2012Humor in the Caribbean Literary Canon intimately examines Caribbean writers who engage canonical Western texts and forms, while using humor to challenge Western representations of people of African descent.

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Humor in the Caribbean Literary Canon978-1-137-03138-9Series ISSN 2691-3011 Series E-ISSN 2634-5196

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2691-3011 Overview: Humor in the Caribbean Literary Canon intimately examines Caribbean writers who engage canonical Western texts and forms, while using humor to challenge Western representations of people of African descent.978-1-349-43632-3978-1-137-03138-9Series ISSN 2691-3011 Series E-ISSN 2634-5196

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,Slackness and a Mento Aesthetic: Louise Bennett’s Trickster Poetics and Jamaican Women’s Exploratiolike these writers, Bennett’s seemingly tame and socially policed artistic productions often masked a more vicious critique of the marginalization of certain communities. Hughes voiced a racial politics very radical for its time, and Bennett, like Hurston before her, made notable contributions to an early black literary feminism.

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Introduction: Take Bad Something Make Laugh: The Emergence of Humor in the Caribbean Literary Traditrategy’s prominence in groundbreaking Caribbean works such as C. L. R. James’ . (1936), George Lamming’s . (1953), Una Marson’s poetry, and Derek Walcott’s bawdy plays, Caribbean literary scholarship has been slower to acknowledge that potential. Patricia Mohammed pinpoints various colonial and Afr

不来

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,Slackness and a Mento Aesthetic: Louise Bennett’s Trickster Poetics and Jamaican Women’s Exploratioand African American vernacular English during the Harlem Renaissance, but also enjoyed an extended relationship with Langston Hughes after they met in Kingston, Jamaica, in 1948. Born into a middleclass household in Kingston in 1919, the Jamaican poet intermittently lived in the United States durin

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,The Laughing Corpse: Humorous Performances of Spirituality, Sexuality, and Identity in Aimé Césaireriters like the Martinican Aimé Césaire examined revolutionary twentieth-century moments in an impressive collection of critical and creative work. Césaire’s efforts in recording African diasporic survival strategies and in advocating for the formerly colonized, recently independent in Africa during