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Titlebook: Hollywood in Crisis or: The Collapse of the Real; Wheeler Winston Dixon Book 2016 The Author(s) 2016 Hollywood Cinema.Mainstream Cinema.In

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书目名称Hollywood in Crisis or: The Collapse of the Real
编辑Wheeler Winston Dixon
视频video
概述Examines late stage capitalism in films.Offers an examination of the Hollywood production process.Examines the benefits and downsides of social media
图书封面Titlebook: Hollywood in Crisis or: The Collapse of the Real;  Wheeler Winston Dixon Book 2016 The Author(s) 2016 Hollywood Cinema.Mainstream Cinema.In
描述This book discusses the collapse and transformation of the Hollywood movie machine in the twenty-first century, and the concomitant social collapse being felt in nearly every aspect of society. Wheeler Winston Dixon examines key works in cinema from the era of late-stage capitalists, analyzing Hollywood films and the current wave of cinema developed outside of the Hollywood system alike. Dixon illustrates how movies and television programs across these spaces have adopted, reflected, and generated a society in crisis, and with it, a crisis for the cinematic industry itself.
出版日期Book 2016
关键词Hollywood Cinema; Mainstream Cinema; Independent Cinema; Digital Space; Streaming
版次1
doihttps://doi.org/10.1007/978-3-319-40481-3
isbn_softcover978-3-319-82114-6
isbn_ebook978-3-319-40481-3
copyrightThe Author(s) 2016
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Wheeler Winston Dixonugust 24 and 29, 2003. From its first edition in 1969, the Symposium has had a distinguished tradition of bringing together auditory psychologists and physiologists. Hearing science now also includes computational modeling and brain imaging, and this is reflected in the papers collected. The rich in
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ugust 24 and 29, 2003. From its first edition in 1969, the Symposium has had a distinguished tradition of bringing together auditory psychologists and physiologists. Hearing science now also includes computational modeling and brain imaging, and this is reflected in the papers collected. The rich in
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This Is the End,h terminal nihilism is nothing new. At the time of the song’s first appearance, it seemed out of place with the explosion of culture and optimism on both the East and West coasts of America, as part of the artistically vibrant 1960s era. Now that hope seems but a distant memory; indeed, as Marx woul
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