Titlebook: ;

brachytherapy

书目名称Guide to Computing for Expressive Music Performance影响因子(影响力)




书目名称Guide to Computing for Expressive Music Performance影响因子(影响力)学科排名




书目名称Guide to Computing for Expressive Music Performance网络公开度




书目名称Guide to Computing for Expressive Music Performance网络公开度学科排名




书目名称Guide to Computing for Expressive Music Performance被引频次




书目名称Guide to Computing for Expressive Music Performance被引频次学科排名




书目名称Guide to Computing for Expressive Music Performance年度引用




书目名称Guide to Computing for Expressive Music Performance年度引用学科排名




书目名称Guide to Computing for Expressive Music Performance读者反馈




书目名称Guide to Computing for Expressive Music Performance读者反馈学科排名

judicial

Hoon Jai Chun,Sang-Yong Seol,Joo Young Choed based on two initial design choices: the music material to interact with (i.e., MIDI or audio recordings) and the type of control (i.e., direct control of the low-level parameters such as tempo, intensity, and instrument balance or mapping from high-level parameters, such as emotions, to low-leve

椭圆

Cyprus: Hydrocarbons in a Divided Island,d predicts performance characteristics using information extracted from the score. We discuss the basic system that won the Rendering Contest RENCON 2008 and then present several extensions, two of which aim to incorporate the current performance context into the prediction, resulting in more stable

Cognizance

抑制

The Future of Small Modular Reactors,ver, there is little quantitative information about how and in which contexts this manipulation occurs. In this chapter, we describe an approach to quantitatively model and analyze expression in popular music monophonic performances, as well as identifying interpreters from their playing styles. The

一加就喷出

Jan-Erik Otterstedt,Dale A. Brandrethortant element in achieving automatic expressive piano performance since the piano is a polyphonic instrument. We will start by discussing the features of polyphonic piano expression and present a method for modeling it based on an approximation involving melodies and harmonies. An experimental eval

一加就喷出

Small Particles and Inorganic Clusters with measurements from real performances, (2) listening experiments, and (3) production experiments. Listening experiments can be of different types. For example, in some experiments, subjects may be asked to rate a particular expressive characteristic (such as the emotion conveyed or the overall e

Misnomer

shrill

Marco D’Errico,Giancarmine Fasanoc robots to roughly emulate the physical dynamics and motor dexterity of humans while playing musical instruments. In particular, research on musical robots provides opportunity to study several aspects outside of robotics, including understanding human motor control from an engineering point of vie

overrule

An Overview of Computer Systems for Expressive Music Performance, for such systems and then examine a significant sample of the systems developed over the last 30 years. To highlight some of the possible future directions for new research, this chapter uses primary terms of reference based on four elements: testing status, expressive representation, polyphonic ab