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Titlebook: Globalization, Culture, and Development; The UNESCO Conventio Christiaan Beukelaer (Lecturer),Miikka Pyykkönen ( Book 2015 The Editor(s) (i

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发表于 2025-3-21 19:35:07 | 显示全部楼层 |阅读模式
书目名称Globalization, Culture, and Development
副标题The UNESCO Conventio
编辑Christiaan Beukelaer (Lecturer),Miikka Pyykkönen (
视频video
图书封面Titlebook: Globalization, Culture, and Development; The UNESCO Conventio Christiaan Beukelaer (Lecturer),Miikka Pyykkönen ( Book 2015 The Editor(s) (i
描述This edited collection outlines the accomplishments, shortcomings, and future policy prospects of the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, arguing that the Convention is not broad enough to confront the challenges concerning human rights, sustainability, and cultural diversity as a whole.
出版日期Book 2015
关键词development; globalization; human rights; Policy; social justice; sustainability; sustainable development;
版次1
doihttps://doi.org/10.1057/9781137397638
isbn_ebook978-1-137-39763-8
copyrightThe Editor(s) (if applicable) and The Author(s) 2015
The information of publication is updating

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发表于 2025-3-22 00:17:41 | 显示全部楼层
Confusing Culture, Polysemous Diversity: “Culture” and “Cultural Diversity” in and after the Conventultural Expressions (UNESCO, 2005a) is based upon concepts that are well-established keywords in the contemporary .. However, this international treaty is an intriguing instance not only of how one of those concepts — cultural diversity — has been given a special meaning by an international organiza
发表于 2025-3-22 00:31:02 | 显示全部楼层
Cultural Globalization and the Conventionrstood through cultural expressions. Equally, the Convention protects the economic interests of member states in commercially produced cultural expressions such as film and television programmes. This dichotomy has led to vociferous trade versus culture debates in international cultural policy-makin
发表于 2025-3-22 06:02:36 | 显示全部楼层
Competing Perspectives? WTO and UNESCO on Cultural Diversity in Global Trade) coincides with the 20-year anniversary of that other global policy institution dealing with trade and culture, the World Trade Organization (WTO). Possibly both celebrations will be rather tempered. On the one hand, the fairly rapid negotiation of the 2005 Convention has been followed by slow impl
发表于 2025-3-22 11:03:35 | 显示全部楼层
“Cultural Diversity” at UNESCO: A Trajectoryauthor, Yudhishthir Isar, who has had a foot in both camps. The first served as the Secretary of the 2005 UNESCO Convention on Cultural Diversity, from its entry into force in 2007 until the end of 2011, after a long professional career as an international civil servant in the cultural department of
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发表于 2025-3-22 19:43:31 | 显示全部楼层
The “Culture and Trade” Paradox Reloaded by the negotiators by way of general exceptions enshrined in trade agreements was that they are different from trade and commerce and, therefore, ought to remain outside the spectrum of international trade regulation. The same can be said about culture in general and various cultural concerns in pa
发表于 2025-3-22 22:44:24 | 显示全部楼层
Cultural Diversity, Global Change, and Social Justice: Contextualizing the 2005 Convention in a Worltion of governments around the globe of the essential role of cultural diversity both for its own sake, and for its role in maintaining peace within and between nations, and in contributing to the now key notion of sustainability. It is also a document that, a decade after its introduction, requires
发表于 2025-3-23 05:17:43 | 显示全部楼层
Cultural Human Rights and the UNESCO Convention: More than Meets the Eye?man rights treaties that were adopted in 1966: the International Covenant on Civil and Political Rights (ICCPR: UN General Assembly, 1966a, entry into force 23 March 1976) and the International Covenant on Economic, Social, and Cultural Rights (ICESCR: UN General Assembly, 1966b, entry into force 3
发表于 2025-3-23 06:50:03 | 显示全部楼层
Performativity and Dynamics of Intangible Cultural Heritage cultures as well as monuments listed as world cultural heritage. These oeuvres and practices play an important role in the cultural identity of human beings: “The ‘intangible cultural heritage’ means the practices, representation, expressions, knowledge skills — as well as the instruments objects,
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