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Titlebook: Gilles Deleuze and Film Criticism; Philosophy, Theory, Dominic Lash,Hoi Lun Law Book 2023 The Editor(s) (if applicable) and The Author(s),

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发表于 2025-3-21 17:44:59 | 显示全部楼层 |阅读模式
书目名称Gilles Deleuze and Film Criticism
副标题Philosophy, Theory,
编辑Dominic Lash,Hoi Lun Law
视频video
概述Provides fresh and engaging readings of Deleuze‘s work on cinema.Investigates the relationship between Deleuze‘s philosophy and film criticism.Offers exciting new readings of important films in the li
丛书名称Palgrave Film Studies and Philosophy
图书封面Titlebook: Gilles Deleuze and Film Criticism; Philosophy, Theory,  Dominic Lash,Hoi Lun Law Book 2023 The Editor(s) (if applicable) and The Author(s),
描述.This book is the first collection of essays to offer detailed examinations of the role that close attention to individual films plays in the philosopher Gilles Deleuze’s work on cinema. In the last two decades, Deleuze‘s two books on film have had an enormous influence on Film Studies, profoundly affecting thinking about movement, time, history, and other topics. Theoretically ambitious and philosophically rich but clearly written by a broad range of established and emerging international film scholars, the chapters in this volume will both contribute to, and in places challenge, the vibrant field of Deleuzian film studies. Topics covered range from the relationship of Deleuze to film criticism; the role of theories of movement; and studies of works by major filmmakers including Federico Fellini, Werner Herzog, Vincente Minnelli, and Orson Welles. This book will be of interest not only to specialists in Deleuze but to anybody engaged with the close study of film and its philosophical ramifications..
出版日期Book 2023
关键词Gilles Deleuze; Film studies; Philosophy of film; Popular film; Philosophy
版次1
doihttps://doi.org/10.1007/978-3-031-33305-7
isbn_softcover978-3-031-33307-1
isbn_ebook978-3-031-33305-7Series ISSN 2946-5435 Series E-ISSN 2946-5443
issn_series 2946-5435
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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发表于 2025-3-21 21:15:47 | 显示全部楼层
发表于 2025-3-22 01:31:28 | 显示全部楼层
https://doi.org/10.1007/978-3-7091-3771-0omplicates the assumption that Deleuze devalues onscreen movement, revealing a surprising link between the perceptual plenitude of movement on screen and Deleuze’s philosophical interest in particularity.
发表于 2025-3-22 05:11:21 | 显示全部楼层
2946-5435 i, and Orson Welles. This book will be of interest not only to specialists in Deleuze but to anybody engaged with the close study of film and its philosophical ramifications..978-3-031-33307-1978-3-031-33305-7Series ISSN 2946-5435 Series E-ISSN 2946-5443
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发表于 2025-3-22 16:52:39 | 显示全部楼层
Book 2023her Gilles Deleuze’s work on cinema. In the last two decades, Deleuze‘s two books on film have had an enormous influence on Film Studies, profoundly affecting thinking about movement, time, history, and other topics. Theoretically ambitious and philosophically rich but clearly written by a broad ran
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发表于 2025-3-23 01:34:45 | 显示全部楼层
Fensterfunktionen und lokale Operatoren, unique cinematographic ideas invented by filmmakers. This chapter explores what the concept of the cinematographic idea, central to Deleuze’s conception of the aesthetic possibilities of film, can tell us about his practice as a film critic and, by doing so, probes what his work can teach us about film criticism.
发表于 2025-3-23 06:17:13 | 显示全部楼层
https://doi.org/10.1007/978-3-7091-3770-3hey see as (in different ways) the possibilities of cinema as engaged in modes of thought and thinking. Drawing out this affinity also places Deleuze within a contemporary cluster of trans-Atlantic critics who were exploring the ways that cinema carves out and creates modes of temporality.
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