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Titlebook: Ghosts of Theatre and Cinema in the Brain; Mark Pizzato Book 2006 Mark Pizzato 2006 brain.novel.stage.theatre.William Shakespeare

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书目名称Ghosts of Theatre and Cinema in the Brain
编辑Mark Pizzato
视频video
丛书名称Palgrave Studies in Theatre and Performance History
图书封面Titlebook: Ghosts of Theatre and Cinema in the Brain;  Mark Pizzato Book 2006 Mark Pizzato 2006 brain.novel.stage.theatre.William Shakespeare
描述Pizzato focuses on the staging of Self and Other as phantom characters inside the brain (in the ‘mind‘s eye‘, as Hamlet says). He explores the brain‘s anatomical evolution from animal drives to human consciousness to divine aspirations, through distinctive cultural expressions in stage and screen technologies.
出版日期Book 2006
关键词brain; novel; stage; theatre; William Shakespeare
版次1
doihttps://doi.org/10.1057/9781403983299
isbn_softcover978-1-349-53343-5
isbn_ebook978-1-4039-8329-9Series ISSN 2947-5767 Series E-ISSN 2947-5775
issn_series 2947-5767
copyrightMark Pizzato 2006
The information of publication is updating

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https://doi.org/10.1007/978-981-99-0846-2dentity) against an enemy Other. The human species has triumphed over its natural enemies and prior habitat limits, covering the globe with its own kind. And yet, modern humans continue to make enemies, not only in conflicts between nations, but also within families and local communities, as well as in the war theatres of individual minds.
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Roderick J. A. Little,Nathaniel Schenker” (11, 160).. He argues that emotions existed in animals, prior to human evolution, but “were entirely unknown to the organisms producing them” (30). Consciousness evolved with humans as nature invented a “rightful owner of each individual life”—through the “apparent self [that] emerges as the feeling of a feeling” (30–31)..
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,Theatrical Elements in the Mind’s Eye,” (11, 160).. He argues that emotions existed in animals, prior to human evolution, but “were entirely unknown to the organisms producing them” (30). Consciousness evolved with humans as nature invented a “rightful owner of each individual life”—through the “apparent self [that] emerges as the feeling of a feeling” (30–31)..
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Ancient Specters (Prehistoric, Egyptian, Greek, and Roman),ed within its hands. These seem to imply ritualized burial activity, and a belief in religious ideologies.” At such burial sites, “symbolic tools” have also been found that indicate “advanced linguistic-cognitive ability” (Lieberman 148).
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,Shakespeare’s Roman Shades (, and ,),s, capitalist free markets, and consumer choices. A crucial turning point for the modern ego came in the European Renaissance, with its rejection of medieval submission to the Christian God and cosmic order, stressing instead that “man is the measure of all things.”
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