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Titlebook: German-Australian Encounters and Cultural Transfers; Global Dynamics in T Benjamin Nickl,Irina Herrschner,Elżbieta M. Goździ Book 2018 Spri

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Personal Films and Transcultural Visions: An Interview with the Artist Filmmaker Paul Winklerlly, Paul’s relationship to his German heritage and his relative outsider status in the Australian art and film-making milieu is yet to be examined in the literature on his work. In the interview that follows a brief introduction to his work, Paul speaks candidly about his career and his motivations
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Australian Children’s Literature in German Translation: Historical Overview, Key Themes and Trendsur within any society over time. As part of Gideon Toury’s ‘descriptive translation studies’ (DTS) model (1995–2012), translation scholars are invited to delve more deeply into the sociocultural conditions which shape translations into certain languages and cultures. In line with these models of ana
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German-Australian Research on a Difficult Legacy: Colonial Collections of Indigenous Human Remains ies arising from their possession of human remains of Indigenous peoples collected in spheres of colonial ambition during the long nineteenth century. Efforts to assess whether past injustices warrant the return of these remains to their country of origin for reburial has been prompted by Indigenous
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A ,: On , and , Artistic Interactionsth the . Düsseldorf-educated Eugene von Guerard, who was the first head of an Australian art school and the first director of an Australian art gallery, and end with the Sydney artists Janet Burchill and Jennifer McCamley’s . (1992–3), a work about the refugee Turkish population in Berlin after the
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Popular Comedy as Transnational Intervention: Contemporary Muslimness on Screen in Germany and Austr. Negative sentiments against Muslim minority communities have become commonplace in political discussions despite a lack of factual proof. From the German PEGIDA movement in 2014 sprung a political party, the Alternative for Germany, while Australia’s One Nation party originated similarly from righ
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Strategically Shaping International Cultural Relations in a Changing Competitive Environment: Reflecd cons of competing cultural approaches to transnational dynamics are discussed and examples assessed (I extend my warmest thanks to Alix Landgrebe, Ben Nickl, Irina Herrschner, Alfons Hug, and Nicole Smith for their critical comments on this chapter).
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