Titlebook: German Writers and Politics 1918–39; Richard Dove (Senior Lecturer in German),Stephen L Book 1992 Richard Dove and Stephen Lamb 1992 commu

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https://doi.org/10.1007/978-94-007-7146-8been one of them. In 1848, for example, revolutionary crowds in Saxony demonstrated a desire for vegetarian roast beef by chanting ‘We want a republic and our good old King!’ Lenin produced a further explanation why the descendants of Marx and Engels had failed to follow their lead. Revolutions, the

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https://doi.org/10.1007/978-3-030-77764-7rait of him. Dorst’s play of 1968, ., a montage of historical scenes in the style of Erwin Piscator’s political theatre, concentrated on Toiler’s vanity, on the way he ‘acted out’ his political mission. Supported by the testimony of contemporaries in the 1920s and 1930s describing Toiler as an engag

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Flavio Bonfatti,Paola Daniela Monarilms produced between 1918 and 1933 bear comparison with the best produced in the world. However those looking in the German cinema for the range, diversity and vitality of the theatrical activity of that period, miss the differentiated attempts to produce a drama which could persuade thinking men an

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The Union of Soviet Socialist Republics,the problems that arise are to some extent those of the uprooted individual, and to some extent those of the uprooted writer. Inevitably, the two interact, for while success as a writer may ease the lot of the uprooted individual, the problems of the uprooted individual can certainly inhibit the act