Titlebook: George Eliot and Italy; Andrew Thompson Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 culture.fiction.Geor

能得到

Neeraj Sonalkar,Malte Jung,Ade Mabogunjee Graeco-Roman and Christian worlds, to create her own mythopoesis in the service of her overall vision. The great quest myths of Homer and Virgil were for Eliot a symbolic expression of the collective human consciousness, and the concrete facts of history were, she believed, the continuing embodime

摘要记录

Robert J. de Boer,Petra Badke-Schaub Dante in her novel. This arrangement creates an overall progression from Italy seen in a negative light in the first two sections to a rather more positive and constructive view of it in the third. I begin, though, with a discussion of Eliot’s poem ‘How Lisa Loved the King’, written before she bega

河潭

Yoshiaki Kikuchi,Madoka Noriuchionship with Grandcourt leads to the onset of a Dantean .; thirdly, as she becomes increasingly dependent on Daniel Deronda as a spiritual guide and alternates between infernal and purgatorial states of mind; and finally, as she enters a purgatorial condition of ‘difficult blessedness’, despite being

逢迎春日

CLIFF

厚颜无耻

,Eliot’s Italian Exile in ‘Mr Gilfil’s Love Story’ (,),brace. Whereas in her fiction until ., Eliot is mainly concerned with English provincial life, in ‘Mr Gilfil’ we observe a concern to incorporate a European perspective which takes the form of an exploration of cultural relationships. This concern with Italy was in itself the continuation of an inte

脱落

ADOPT

Italian Culture and Influences in , Dante in her novel. This arrangement creates an overall progression from Italy seen in a negative light in the first two sections to a rather more positive and constructive view of it in the third. I begin, though, with a discussion of Eliot’s poem ‘How Lisa Loved the King’, written before she bega

吗啡

农学