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Titlebook: Gentlemen Callers; Tennessee Williams, Michael Paller Book 2005 Palgrave Macmillan, a division of Nature America Inc. 2005 drama.evolution

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发表于 2025-3-21 18:24:23 | 显示全部楼层 |阅读模式
书目名称Gentlemen Callers
副标题Tennessee Williams,
编辑Michael Paller
视频video
图书封面Titlebook: Gentlemen Callers; Tennessee Williams,  Michael Paller Book 2005 Palgrave Macmillan, a division of Nature America Inc. 2005 drama.evolution
描述Gentlemen Callers provides a fascinating look at America‘s greatest Twentieth-century playwright and perhaps the most-performed, even today. Michael Paller looks at Tennessee Williams‘s plays from the 1940s through the 1960s against the backdrop of the playwright‘s life story, providing fresh details. Through this lens Paller examines the evolution of Mid-Twentieth-century America‘s acknowledgment and acceptance of homosexuality. From the early Cat on a Hot Tin Roof and one-act Auto-da-Fé , through The Two-Character Play and Something Cloudy, Something Clear , Paller‘s book investigates how Williams‘s earliest critics marginalized or ignored his gay characters and why, beginning in the 1970s, many gay liberationists reviled them. Lively, blunt, and provocative, this book will appeal to anyone who loves Williams, Broadway, and the theater.
出版日期Book 2005
关键词drama; evolution; theatre
版次1
doihttps://doi.org/10.1057/9781403979148
isbn_softcover978-1-349-53018-2
isbn_ebook978-1-4039-7914-8
copyrightPalgrave Macmillan, a division of Nature America Inc. 2005
The information of publication is updating

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The Signs Are Interior,s had passed since his first, abortive, visit: That period had lasted a scant two months, January and February, in 1939. In the intervening months, Williams had experienced the exhilaration of seeing . optioned and staged by the Theatre Guild, the “prestige” theatre of Broadway, and suffered the hum
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A True Story of Our Time,the names of any therapists, he never fol-lowed up. The fact that he was feeling sufficient psychic pressure to ask for help as he’d begun working on the play is significant in itself for what it says about his anxieties concerning the work’s materials; that he put off such help is also significant.
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https://doi.org/10.1057/9781403979148drama; evolution; theatre
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Arbeitsverfahren der Dieselmotoren,ne dismissed him with, “Who cares about him today?” Had it not been for José Quintero’s productions of . and . in 1956, we might still not care about him. It is a truism that an American writer’s reputation often reaches its nadir near or at the time of his death. Herman Melville is only the most ex
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