Titlebook: Gender, Otherness, and Culture in Medieval and Early Modern Art; Carlee A. Bradbury,Michelle Moseley-Christian Book 2017 The Editor(s) (if

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,Dürer’s , and the , as Strategies for Mediating Foreign, Masculine Identity,an government, citizens, and other merchants. For the . to function properly, it was necessary to rebuild and reassert an inherently masculine brotherhood based on good faith and equity. In this context, Albrecht Dürer’s . and the . both support the (re)creation of a communal, masculine identity.

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,“The Monster, Death, Becomes Pregnant:” Representations of Motherhood in Female Transi Tombs from R modern women. This reading of the sculpture provides a key for understanding the . of three successive French queens, Anne of Brittany, Claude of France, and Catherine de Medici each of which refuses such monstrosity in order to emphasize the—often endangered—dynastic continuity of the Valois kings.

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2945-5936 women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others. .978-3-319-87936-9978-3-319-65049-4Series ISSN 2945-5936 Series E-ISSN 2945-5944

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