Titlebook: Exploitation and Misrule in Colonial and Postcolonial Africa; Kenneth Kalu,Toyin Falola Book 2019 The Editor(s) (if applicable) and The Au

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Migration and Exile: The Exotic Essence of Life in Bessie Head’s s and harassments involved in the crossing of border to exile. He attempts to process the paradox of belonging to two worlds: that of South Africa and Botswana, in which the way he lives moulds his story and his story moulds the way he lives in these two worlds. This chapter explores the threshold o

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World War II and West African Soldiers in Asia, 1943–1947ll as of wartime India, this chapter underscores the importance of African soldiers’ service outside the boundaries of Africa and defends its significance as a unique moment of cross-cultural encounter in Africa’s colonial past.

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Introduction: Exploitation, Colonialism, and Postcolonial Misrule in Africa, the average African citizen has, in several respects, followed the same path from colonial exploitation to postcolonial misrule. What has changed over the years has been the beneficiaries of Africa’s exploitation. Political independence has so far not produced stable polities and balanced developme

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Rupturing Neocolonial Legacies in the African Novel: Ngugi wa Thiong’o’s , as a Paradigmcs and postcolonialist literary criticism proposed by Bill Ashcroft, Gareth Griffith and Helen Tiffin are used as theoretical frameworks. The study spells out the capacity of African fictional character, Matigari, as an agent able to effect change in contemporary African societies. The specific ques

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Decolonial Visions in Mid-Twentieth-Century African Rhetoric: Perspectives from Kwame Nkrumah’s temporary discourses on decoloniality. The analysis emphasizes four decolonial rhetorical moves in .: that is, a critique of the universalist outlook of Western epistemology, emphasis on the significance of an ideology that connects philosophy with morality in the African decolonial project, argumen

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Ingrid de Kok’s “A Room Full of Questions” and South Africa’s Truth and Reconciliation Commissionled “A Room Full of Questions” in Ingrid de Kok’s . (2004). The poems emphasize not only the Commission’s “invisible mending of the heart” but also the rendering of certain ineradicable moments that are now part of the new republic’s cultural “dialect of record.” If South Africa were to remain “this

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Identity, the “Passing” Novel, and the Phenomenology of “Race”cannot be wished away or repaired by negating the self (past), and therefore remains one of the primary concerns of writers of the Black Atlantic. In spite of their efforts at agency—the deconstruction of racial essentialism—the “passing” characters in the novels discussed in this chapter not only f