Titlebook: Experiments in Life-Writing; Intersections of Aut Lucia Boldrini,Julia Novak Book 2017 The Editor(s) (if applicable) and The Author(s) 2017

Cytology

HEED

恃强凌弱的人

Bioethanol from Soybean Molasses,nd to readers the acts of interpretation that go into their construction, rather than eliding them, and demonstrates some of the ways in which biographical subjects might thereby be more explicitly revealed to be “partial” representations of the actual historical personage.

foppish

“,.” Ford Madox Ford and Modernist Experiments in Biography, articulated especially as it oscillates between biography and autobiography. The latter can be seen in Ford’s sustained use of “the writer” instead of the first person; in Conrad’s notion of the collaborations appearing to issue from “a third person”; and in Ford’s use of the first-person plural to recount his experience of Conrad’s narratives.

信条

“My Publisher Urged Me to Write an Autobiography”: Christine Brooke-Rose’s Experiments with Life Wriand question staple generic distinctions altogether. The numerous intertextual connections between Brooke-Rose’s different works dislodge generic classifications and demarcations in favour of an open network of generically ambiguous texts bearing the imprint of her lifelong experiments with language and fiction.

peptic-ulcer

Aspiration

“Partial” Stories: Exegesis, Eisegesis, and the Tale of Two “Failed” Biographiesnd to readers the acts of interpretation that go into their construction, rather than eliding them, and demonstrates some of the ways in which biographical subjects might thereby be more explicitly revealed to be “partial” representations of the actual historical personage.

浮雕

厌倦吗你

Spin Waves Resonance in Magnetic Electrodesaphy and turned me towards the rich heritage of experimental fiction, where the staging of biographical processes as simultaneously historical fiction and autobiography becomes the most “truthful” way of presenting the narratives.

Discrete

Rewriting the Traces of the Past: Jordi Soler’s , and Autobiographic Metafictionsay will examine the genres at play in the works, the use of secondary material, and the narrative modes employed in this complex experiment in auto/biographical writing which we might call, using Gratton’s and Saunders’s term, “autobiographic metafiction.”