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Titlebook: Exhibiting the Nazi Past; Museum Objects Betwe Chloe Paver Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 museums.exhibitio

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发表于 2025-3-21 18:53:45 | 显示全部楼层 |阅读模式
书目名称Exhibiting the Nazi Past
副标题Museum Objects Betwe
编辑Chloe Paver
视频video
概述Surveys the full range of history exhibitions about National Socialism in Germany and Austria in the last ten years.Examines the question of exhibiting the past specifically in terms of the museum obj
丛书名称The Holocaust and its Contexts
图书封面Titlebook: Exhibiting the Nazi Past; Museum Objects Betwe Chloe Paver Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 museums.exhibitio
描述This book is the first full-length study of the museum object as a memory medium in history exhibitions about the Nazi era, the Second World War, and the Holocaust. Over recent decades, German and Austrian exhibition-makers have engaged in significant programmes of object collection, often in collaboration with witnesses and descendants. At the same time, exhibition-makers have come to recognise the degree to which the National Socialist era was experienced materially, through the loss, acquisition, imposition, destruction, and re-purposing of objects. In the decades after 1945, encounters with material culture from the Nazi past continued, both within the family and in the public sphere. In analysing how these material engagements are explored in the museum, the book not only illuminates a key aspect of German and Austrian cultural memory but contributes to wider debates about relationships between the human and object worlds.
出版日期Book 2018
关键词museums; exhibitions; curation; material culture; National Socialism
版次1
doihttps://doi.org/10.1007/978-3-319-77084-0
isbn_softcover978-3-030-08366-3
isbn_ebook978-3-319-77084-0Series ISSN 2731-5711 Series E-ISSN 2731-572X
issn_series 2731-5711
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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发表于 2025-3-22 00:14:46 | 显示全部楼层
Caroline Drieënhuizen,Martijn van der Burg. This helps exhibition visitors to understand that the apparently simple historic date ‘1945’ is in fact a complex series of shifts and transitions, experienced differently from different social positions.
发表于 2025-3-22 02:14:39 | 显示全部楼层
The Solar Wind in the Outer Heliosphere,ame time, they can show how Germany and Austria began to face up to their past through the preservation of material traces. In some cases, they can view even this process of enlightenment critically in retrospect.
发表于 2025-3-22 05:42:44 | 显示全部楼层
发表于 2025-3-22 09:33:25 | 显示全部楼层
Material Collapse, 1945,. This helps exhibition visitors to understand that the apparently simple historic date ‘1945’ is in fact a complex series of shifts and transitions, experienced differently from different social positions.
发表于 2025-3-22 13:20:38 | 显示全部楼层
Material After-Lives Between the Attic and the Archive,ame time, they can show how Germany and Austria began to face up to their past through the preservation of material traces. In some cases, they can view even this process of enlightenment critically in retrospect.
发表于 2025-3-22 17:02:11 | 显示全部楼层
Conclusion,ms. Finally, the Conclusion looks forward to the work that might be done in future to understand the transition to a new generation of democratic exhibitions about National Socialism and the Holocaust.
发表于 2025-3-22 21:37:13 | 显示全部楼层
发表于 2025-3-23 04:37:24 | 显示全部楼层
Lea Hagoel,Devorah Kalekin-Fishmaners the importance of emotions and mentalities for scholarship on National Socialism, and how these are written into or drawn out of museum objects. And it considers how the life cycle of the object, something shared by all material culture, becomes part of the narrative to be exhibited in exhibitions about the years 1933–45.
发表于 2025-3-23 06:08:39 | 显示全部楼层
Introduction,l culture, often with personal narratives attached. The introduction also surveys the range of history exhibitions on show in Germany and Austria today and identifies key preoccupations of scholarship in this field.
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