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Titlebook: Ernest Hemingway; Peter Messent Textbook 1992Latest edition Macmillan Publishers Limited 1992 Africa.America.argue.fiction.gender.myth.non

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发表于 2025-3-21 16:57:36 | 显示全部楼层 |阅读模式
书目名称Ernest Hemingway
编辑Peter Messent
视频video
丛书名称Modern Novelists
图书封面Titlebook: Ernest Hemingway;  Peter Messent Textbook 1992Latest edition Macmillan Publishers Limited 1992 Africa.America.argue.fiction.gender.myth.non
描述A wide-ranging re-reading of Hemingway‘s work which makes selective use of contemporary theory to explore four key areas. An analysis of Hemingway‘s impressionistic style shows how it operates as a response to the static and harmful conditions of modernity. The second chapter argues that a recognition of coherent subjectivity as a myth vies in the fiction with an urge to represent the self as autonomous. The third chapter looks at the instabilities of sexual and gender role in Hemingway. The final chapter examines the sense of geography in the work with reference to America, Spain and Africa. It ends with a revisionist reading of ‘Macomber‘.
出版日期Textbook 1992Latest edition
关键词Africa; America; argue; fiction; gender; myth; non-fiction; Spain; style; subject
版次1
doihttps://doi.org/10.1007/978-1-349-22324-4
copyrightMacmillan Publishers Limited 1992
The information of publication is updating

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Coda: ,lineau′s comparison of the posthumous work to ′mutilated statues whose pieces have been put carefully together, but many fragments are missing and the statues we have before us do not correspond to exactly what Hemingway had in mind′..
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Textbook 1992Latest editionon of coherent subjectivity as a myth vies in the fiction with an urge to represent the self as autonomous. The third chapter looks at the instabilities of sexual and gender role in Hemingway. The final chapter examines the sense of geography in the work with reference to America, Spain and Africa. It ends with a revisionist reading of ‘Macomber‘.
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发表于 2025-3-22 21:00:56 | 显示全部楼层
ingway‘s impressionistic style shows how it operates as a response to the static and harmful conditions of modernity. The second chapter argues that a recognition of coherent subjectivity as a myth vies in the fiction with an urge to represent the self as autonomous. The third chapter looks at the i
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Calcium carbonate - pigment and fillerlineau′s comparison of the posthumous work to ′mutilated statues whose pieces have been put carefully together, but many fragments are missing and the statues we have before us do not correspond to exactly what Hemingway had in mind′..
发表于 2025-3-23 09:05:51 | 显示全部楼层
Developments in Cardiovascular Medicine name became publicly synonymous with bullfighting, big game hunting and fishing. Diane Johnson points to his daring, his ′wartime and sporting exploits′, to suggest that by the 1950s his name had taken on ′iconographic magic′; had come to signify ′maleness′ itself.
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