Titlebook: English National Identity and the Image of the Dutch; From the Armada to t Andrew Fleck Book 2024 The Editor(s) (if applicable) and The Aut

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,The New Black Legend: England’s Violent Colonial Competition with the Dutch,ution. The operation of trauma and nostalgia enables English participation in violent practices they think they would avoid, pointing to the power of commercial competition to contribute to an imagined national interest.

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Rescuing the Widow Belge: Chivalry in the Construction of Elizabethan Englishness,e to the aid of a widow like Belge. But as a widow, Belge also enjoys unique legal standing to seek relief from an unjust contract. Spenser uses this idealized episode to represent England’s assistance to a grateful, dependent Dutch nation.

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Rome and Carthage: Figuring the Anglo-Dutch Wars,idal English well in the 1650s, the guise of the Roman Republic fit a restored English monarchy less easily in the second and third wars with the Dutch. English attempts to deploy the Punic Wars as a trope in the midst of the failures and weaknesses of these latter wars illustrate their evolving view of monarchy.

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Book 2024e’s two great Protestant states, those similarities—as well as a combination of English admiration, envy, and distrust of the Dutch—produced an emulous rivalry that remade the two nations and their literature. .

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Early Modern Literature in Historyhttp://image.papertrans.cn/e/image/311169.jpg

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Klaus I. Baumann,Zdenek Halata,Ingrid Mollervened against Catholic tyrants in the Dutch Revolt and expected the Dutch to be grateful. A century later, the Dutch intervened in the Glorious Revolution against another Catholic tyrant. Tracing the emergence of their national identities in the seventeenth century, this book begins by looking at