Titlebook: Emotions in Non-Fictional Representations of the Individual, 1600-1850; Between East and Wes Malina Stefanovska,Yinghui Wu,Marie-Paule de W

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Buddhism and Emotions: Asian Enlightenment and the Anxieties of European Identitytian missionaries. Beginning with Eugène Burnouf’s .,​ Buddhism was first described from the perspective of missionaries who needed to understand an entrenched religion before they could overcome it through conversion. With the work of Max Müeller, it was then described as a historical fact that spo

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Lasting

Shakespeare’s Art of the Dervish: Voltaire, Elizabeth Montagu, and National Sentimentntative of British national identity. Yet, in Elizabeth Montagu’s . (1769), Shakespeare is compared to a dervish “throwing his soul into the body of another man” in an Orientalized framing of Adam Smith’s theory of sympathy. Montagu theorizes Shakespearean tragedy as the definitive English tragic mo

Expiration

How to Manage Emotions in “The Classic of Whoring”ance between courtesans and their male lovers. As a site on which popular interest in . was projected, the demimonde inspired diverse publications that targeted different niches with varying degrees of engagement with .. “The Classic of Whoring,” a brothel manual that emerged in this context and tra

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Genre and Emotion in Chen Jiru’s Biographies of the state orthodoxy’s heavy investment in disciplined emotion. Fiction was able to sustain multiple perspectives and to suspend judgment on transgressive behavior, but the same strategies could not be adopted in genres more proximate to elite culture. I examine a handful of classical-language bi

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Emotions in the Face of Silence in the ,: (Prince Sado was condemned by his father to be locked up in a rice chest where he died after eight days). Her understated style and her euphemisms demonstrate that she finds it hard to overcome this tragedy, but her need to tell the truth is stronger. She explains this tragedy by a human drama, foc

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Hemlock and Hair Shirts: Class Mobility and the Emotional Habitus in the , of Valentin Jamerey-Duvalheir role in public life. However, since many early French literary autobiographies were first studied, edited, and published by historians, questions about the nature of their representation of history continue to influence their reception. Scholarly discussions of the memoir of French eighteenth-c

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