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Titlebook: Embryology and the Rise of the Gothic Novel; Diana Pérez Edelman Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusiv

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楼主: malcontented
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https://doi.org/10.1007/978-3-8349-6761-9h an analysis of the ways in which the Gothic embeds key signifiers of these debates, including internal sources of identity, monstrosity, hybridity, and the capacity for an infinite number of forms. These features manifest themselves in the most representative Gothic texts of the period, which are the subjects of the subsequent chapters.
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https://doi.org/10.1007/978-3-658-05931-6p the conflict between preformation and epigenesis, which is manifested in the novel in the plot’s focus on family fertility, the biological foundations of the love stories, and in the statue of Alfonso, which becomes a metaphor for epigenetic formation.
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,“A Very Natural Dream”; or, ,p the conflict between preformation and epigenesis, which is manifested in the novel in the plot’s focus on family fertility, the biological foundations of the love stories, and in the statue of Alfonso, which becomes a metaphor for epigenetic formation.
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2634-6435 arguing that these touchstones of the Gothic register .why. the Gothic emerged at that time and .why. it continues today: the mysteries of reproduction remain unsolved.978-3-030-73650-7978-3-030-73648-4Series ISSN 2634-6435 Series E-ISSN 2634-6443
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Mitarbeiter im Verkaufsaußendienstg Shelley’s preference for more egalitarian models. These direct engagements with theories of fetal formation and development also address the processes of the creative imagination, making the novel illustrative of the ways in which science affects genre.
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,Conceiving the Gothic; or, “A New Species of Romance”,ors in an early poem. The chapter provides a brief overview of the history of embryology, including Aristotelian embryology, preformation, preexistence, and epigenesis. The focus is on the key differences between preformation and epigenesis as expressed by their most famous proponents of the eightee
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