Titlebook: Embodied Philosophy in Dance; Gaga and Ohad Nahari Einav Katan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 dance philoso

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Performance Philosophyhttp://image.papertrans.cn/e/image/308008.jpg

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Extending Perceptionan explores the activity of instructions in Gaga, demonstrating the understanding of physical dynamics before they occur. The case study draws attention to the integration of images and imagination within perceptual processes of dancing.

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The Involvement of Psychology and Physicalitywey and Susanne Langer’s theories of mind, the chapter explores the involvement of bodily and mental feelings as threshold phenomena. Katan propounds comprehending the wholeness of perceptual experiences of movement as the mutual affect of mental and physical regulations.

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https://doi.org/10.1007/978-3-319-45427-6f expressed meaning. The chapter stresses the two directions of embodied philosophy in dance. First, human bodies enact cognition. Second, bodily movements are materializations of knowledge that were activated in the process of their shaping.