Titlebook: Elizabeth Bishop‘s World War II - Cold War View; Camille Roman Book 2001 Palgrave Macmillan, a division of Nature America Inc. 2001 20th c

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书目名称Elizabeth Bishop‘s World War II - Cold War View影响因子(影响力)




书目名称Elizabeth Bishop‘s World War II - Cold War View影响因子(影响力)学科排名




书目名称Elizabeth Bishop‘s World War II - Cold War View网络公开度




书目名称Elizabeth Bishop‘s World War II - Cold War View网络公开度学科排名




书目名称Elizabeth Bishop‘s World War II - Cold War View被引频次




书目名称Elizabeth Bishop‘s World War II - Cold War View被引频次学科排名




书目名称Elizabeth Bishop‘s World War II - Cold War View年度引用




书目名称Elizabeth Bishop‘s World War II - Cold War View年度引用学科排名




书目名称Elizabeth Bishop‘s World War II - Cold War View读者反馈




书目名称Elizabeth Bishop‘s World War II - Cold War View读者反馈学科排名

Harness

Watching the Cold War Begin,icker-tape parades. A barely decipherable handwritten poetry fragment entitled “V-Day August 14th, 1945” in the Vassar College archives that has gone unnoted reveals Bishop’s anxieties about the war and foreshadows her difficulties in negotiating a Cold War narrative intent on the militarization of domestic and foreign policy.

内阁

tangle

https://doi.org/10.1007/978-3-663-16272-8n 1940 Bishop sat in her writing studio in a Key West, Florida, hotel that was built like a ship—with “all white paint, shutter doors, long red carpets, and views of the ocean”—and watched the U.S. Navy turn her private civilian world into a naval base. She wrote Marianne Moore on June 8:

Compass

In Key West Overlooking World War II,n 1940 Bishop sat in her writing studio in a Key West, Florida, hotel that was built like a ship—with “all white paint, shutter doors, long red carpets, and views of the ocean”—and watched the U.S. Navy turn her private civilian world into a naval base. She wrote Marianne Moore on June 8:

Neutropenia

978-1-4039-6720-6Palgrave Macmillan, a division of Nature America Inc. 2001

Neutropenia

Introduction to massage and aromatherapy U.S. Capitol in Washington, D.C., in the cover and frontispiece photo. With fountain pen in hand, she seems preoccupied with the papers before her. In our contemporary culture, in which we speak of writers’ cultural currency and capital, Bishop appears to have “arrived” in this photo. She was holdi

羊齿

https://doi.org/10.1007/978-3-662-32798-2nt of her instead of azaleas. But which Bishop(s) do I see, of the many public and private “versions” of Bishop suggested by the successful poet in the photo as well as the unhappy woman writing “worst year” so far in the private journal? In order to identify and understand these various “versions”

Eeg332

Fundamentalismus. Kehrseite der Modernen tercets, offers evidence for both the anti-Fascist “version” as well as the generally antimilitarist “versions” of Bishop, but also for the Bishop who worried about the home front. Bishop’s well-known letter about the poem to Moore cited in the last chapter indicates that she condemned the Nazi ta

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