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Titlebook: Culture, Capital and Representation; Robert J. Balfour (Honorary Professor in Languages Book 2010 Palgrave Macmillan, a division of Macmil

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书目名称Culture, Capital and Representation
编辑Robert J. Balfour (Honorary Professor in Languages
视频video
图书封面Titlebook: Culture, Capital and Representation;  Robert J. Balfour (Honorary Professor in Languages Book 2010 Palgrave Macmillan, a division of Macmil
描述With contributions ranging over three centuries, Culture, Capital and Representation explores how literature, cultural studies and the visual arts represent, interact with, and produce ideas about capital, whether in its early phases (the growth of stock markets) or in its late phase (global speculative capital).
出版日期Book 2010
关键词aesthetics; capital; Cultural Studies; culture; English literature; memory; Nation; politics; William Wordsw
版次1
doihttps://doi.org/10.1057/9780230291195
isbn_softcover978-1-349-31955-8
isbn_ebook978-0-230-29119-5
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2010
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978-1-349-31955-8Palgrave Macmillan, a division of Macmillan Publishers Limited 2010
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l arts represent, interact with, and produce ideas about capital, whether in its early phases (the growth of stock markets) or in its late phase (global speculative capital).978-1-349-31955-8978-0-230-29119-5
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Nancy Folbre,Barbara Bergmann,Maria Floroonceptions of the well-governed polis, and in medieval Christianity’s notion of the moral ambiguity of wealth, that ‘profits from trade were regarded as morally illegitimate’, and that ‘making money from money’ (2003: 5) was considered in an even harsher moral light than trade itself. One need only
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Women‘s Work in the World Economys that writers of that period were concerned to put behind them — the unvarnished and crude discourse of the bureaucratic-military officialdom of the preceding century, exemplified, in the economic literature, by the ‘political arithmetic’ of William Petty.. The most comprehensive — and for many the
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Women‘s Work in the World Economy. Yet, the psychic interiority Benjamin Franklin’s . (1793) depicts is so densely furnished with rules of economic exchange, the routes of capital, and the slogans of capitalism that the text evinces not a distinctive, self-authored individual but a capitalist wholly patterned by the narrative logic
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