Titlebook: Cultural Phylogenetics; Concepts and Applica Larissa Mendoza Straffon Book 2016 Springer International Publishing Switzerland 2016 Cultural

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Toni Muzi Falconi,Fabio Ventoruzzodata. As is now well known, the application of this approach rests on the basis that artifacts are an expression of a genuine evolutionary system mediated by transmission (via social learning), variation in transmitted elements, and differential replication of transmitted elements across time. While

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Pamela J. Stewart,Andrew J. Strathernance within ‘interpretive’ archaeologies to what is perceived as the simplistic ‘biologisation’ of culture. Some recent work has sought to build bridges between evolutionary and interpretive archaeologies, with the topic of ‘learning’ emerging as a useful middle ground between these two standpoints.

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Pamela J. Stewart,Andrew J. Strathernf the concept argue that different aspects of organisms evolve separately while others argue that organisms evolve as integrated entities. Similarly, archaeologists debate the relevance of cultural evolution as a complex multi-scalar process. In this paper we conduct two cladistic analyses of cultur

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Pamela J. Stewart,Andrew J. Strathernart, for its part, has often been left aside due to a lack of chronological control. In this paper, we propose a way to treat rock art in order to track Cultural Transmission Paths by means of motif distribution using Northwestern Patagonia as a case study. We present a theoretical and methodologica

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Larissa Mendoza StraffonDemonstrates how cultural phylogenetics models the evolution of material culture.Explains key theoretical concepts of cultural evolution.Indexed in Book Citation Index.Provides case studies on the evo

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Interdisciplinary Evolution Researchhttp://image.papertrans.cn/d/image/240864.jpg

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https://doi.org/10.1007/978-3-319-25928-4Cultural evolution; Cultural transmission; Phylogenetic models; Cultural phylogenetics; Archaeology; Arch

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