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Titlebook: Cultural Memory and Popular Dance; Dancing to Remember, Clare Parfitt Book 2021 The Editor(s) (if applicable) and The Author(s), under excl

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书目名称Cultural Memory and Popular Dance
副标题Dancing to Remember,
编辑Clare Parfitt
视频videohttp://file.papertrans.cn/241/240850/240850.mp4
概述Focuses on popular dance, as opposed to theatrical high art dance, and emphasises the geographical diversity that this medium covers.Re-visits some of the most influential theories about how memory an
丛书名称Palgrave Macmillan Memory Studies
图书封面Titlebook: Cultural Memory and Popular Dance; Dancing to Remember, Clare Parfitt Book 2021 The Editor(s) (if applicable) and The Author(s), under excl
描述.This book focuses on the myriad ways that people collectively remember or forget shared pasts through popular dance. In dance classes, nightclubs, family celebrations, tourist performances, on television, film, music video and the internet, cultural memories are shared and transformed by dancing bodies adapting yesterday’s steps to today’s concerns. The book gathers emerging and seasoned scholarly voices from a wide range of geographical and disciplinary perspectives to discuss cultural remembering and forgetting in diverse popular dance contexts. The contributors ask: how are Afro-diasporic memories invoked in popular dance classes? How are popular dance genealogies manipulated and reclaimed? What is at stake for the nation in the nationalizing of folk and popular dances? And how does mediated dancing transmit memory as feelings or affects? The book reveals popular dance to be vital to cultural processes of remembering and forgetting, allowing participants to pivot between alternative pasts, presents and futures..
出版日期Book 2021
关键词Popular Dance; Cultural Memory; Commemoration; Cultural Identity; Popular Performance; Embodied Memory; Pe
版次1
doihttps://doi.org/10.1007/978-3-030-71083-5
isbn_softcover978-3-030-71085-9
isbn_ebook978-3-030-71083-5Series ISSN 2634-6257 Series E-ISSN 2634-6265
issn_series 2634-6257
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Conclusion: The Twilight of an Idol,collection’s essays into dialogue with the history of theories of embodied cultural memory. Whereas Pierre Nora (.. Translated by Arthur Goldhammer. New York: Columbia University Press, 1996) argued that embodied memory is depleted in modernity, the contributors to this collection make a strong case
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Weber‘s Rationalism and Modern Societythe celebration of shared steps across national and cultural boundaries. This chapter explores three mechanisms through which Zumba achieves its ethical Othering: (i) mimesis and alterity (Taussig 1993), (ii) parody and the carnivalesque (Ehrenreich 2007), and (iii) incorporated practices and commem
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Beyond Work and Sex in Czech Cinemaighly political choices that reveal specific representational directions—one as a dance that has its origins in Spain, and has since been ‘Filipinized’, and the other as an attempt to work into a more Asian identity.
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